In 2014, we had a series of meetings. Photovogue woman’s eyes, To view the topic in 2016 at the initial Photovogue celebration, we talked with various digital photographers in our area. This year, when we introduce global public phone calls Female FemaleOur aim is to develop a more participatory room where female musicians can talk to methods and methods of observing truth and share similarities and differences. That’s why we convert the title to The woman stares.
For the second consultation, we welcome discussions between Emma Sarpaniemi and Margaret Liang. Both Emma and Margaret use self-portraits as a narrative method to convey various stories and principles. Before the camera becomes clearer, straightforward, approach, use your own photos as an opposition as an opponent to experience and convey global styles alone.
Placed alone before a camera is an act of trust funding, which is an integral part of giving you several powers and controls. Behind and before the camera, the camera is both self-reliant and self-reflective behavior.
Sarpaniemi and Liang certainly won’t avoid their own eyes. They developed a room that relaxes themselves and tests, constantly redefining their own and their vision on Earth. They examine the truth around them and find elements of their identity, just viewing from a range and falling into the image.
We review their technology, masculinity and the body of women, the layering of definitions in the picture, the power of the region, and the ups and downs of becoming a musician.
Hilma 001 Emma Sarpaniemi
Post view: 2
