Everyone loves a good mystery. This may explain why, for generations, art lovers have tried to learn the identity of unknown subjects in the masterpieces of Johannes Vemier, Girl with pearl earrings (1665–67). Her indescribable posture (looking at us from her shoulders), titular Boble and exotic headdress (blue turban wraps her head) raise questions, without answers.
However, this did not stop people from speculating on the endless papers on the subject, at least one novel adapted into a 2003 film. In the movie, Scarlett Johansson plays a servant in the family of Vermeer, a genre that thinks most likely to pose for him. Competition theory believes that model is the artist’s daughter Maria Girl in red hat (c.1669) and fl (approximately 1669/1675).
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But none of these matters, because girl Use pearl earrings Not portraits, but formal renderings of facial features and expressions known in 17th-century Dutch art Troni. These are essentially anonymous shots used as still life objects, no different from a bowl of fruit or bouquet.
certainly, Girl with pearl earrings Beyond pure research. The glowing work is the most famous example of Vermeer’s limited output, and although he may have created up to 50 paintings, we know about 34 paintings. Girl with pearl earrings It can measure a moderate 18¼ x 15¼ inches by itself. These two factors (his canvas and intimacy in rarity) cheered up his legend, though not always.
Despite William’s respect and great success in his time, he was almost forgotten for 200 years after his death. This may be because his reputation is limited to his hometown of Delft. Similarly, in his later years, Louis XIV’s economic recession in 1672 invasion of the Netherlands effectively dryed up William’s painting market, as well as other artists he sold in the art businesses inherited by his father. William had to borrow money to make ends meet, and the resulting financial coercion likely led to his premature death at the age of 43.
He was subsequently excluded from the historical records of Dutch art, whose paintings were often attributed to other artists. It was not until the mid-19th century that his works were rediscovered and began to rise to the iconic status they enjoy today.
Vermeer was born into an entrepreneurial family. His grandfather was a metal worker with a fake sideline and his father was originally a supplier of silk. Although he was a Protestant, Vermeer married a wealthy Catholic woman and turned Catholic to ease his mother-in-law’s opposition to the alliance. However, his embrace of the church was real, and he praised its doctrine in his paintings Fables of faith (1670–1672).
In 1653, Vermeer joined a painter trade association that spoke with artistic economics during the Golden Age of the Netherlands. Sales depend on merchant-level customers who prefer still life, landscape, portraits and interiors as reflections of their own destiny. Their goals contrast sharply with the theological and monarchical goals of the papacy and powerful popes commissioned in other parts of Europe. Wimmer’s main supporter, for example, is a brewery heir named Pieter van Ruijven, who joined his wife Maria de Knuijt in business.
Very little is known about how William learns his craft. Some people think he learned it with another artist. Others say he was self-taught, taking inspiration from two schools of Dutch painters: one from Leiden is known for its highly detailed naturalism, and the other is composed of followers of Cavaggio of Utrecht. All aspects of both are reflected in his practice.
By the mid-1650s, Vermeer began the earliest of his existing works. Among them, the knight solicited the description of the prostitute (The process1656) There is a man on the left who saved people, considered Vermeer himself. (This cameo, and his background in the work Painting Art1666–1668, is the only self-portrait to survive. The processshe was treated sympathetically. Indeed, women are constantly portrayed in William’s work, not as objects of desire, but as roles with agents.
Crucial to understanding Girl with pearl earrings It is the way to turn the table toward the male staring: on a dark, uninterrupted background, she is the person staring. Her smooth lips separated slightly to reveal her teeth, perhaps a glimpse of her tongue, making her look as if she was balanced at the edge of the knife between provocation and vulnerability.
But the center of attention is still the glittering decorations hanging from her ears. Pearls often appear in Wilmer’s paintings, although the item Girl with pearl earrings Extremely large, leading some people to believe it is artificial. It is worth noting that Vermeer conveys its three-dimensionality with only two comma-shaped strokes, one grey to reflect the collar above her golden dress, while there is a momentary white smear on it to describe the reflection of an answer, perhaps from an invisible window. Vermeer exudes any hook expression, causing the earrings to float around the character’s neck.
Like most of his works, Willmeier has become soft Girl with pearl earringsThe details are almost unaware, making it look out of place. This brings us to another puzzle surrounding Vermeer: He is using a camera lens, a device that houses the lens, which projects anything in front of it onto a wall or a smaller surface (like canvas). The evidence presented shows that Delft owns a considerable lens grinding industry and is the home of Antonie van Leeuwenhoek, an inventor of microscopes, who may be Vermeer’s acquaintance. Why this question remains, probably due to the idea of using a camera to transform Vermeer into a prototype modernist.
However, it is almost irrelevant whether the photographic role of the lens plays the secret seasoning in William’s work. True power Girl with pearl earrings lies in the expression of its subject, tempting but seemingly longing for a connection to people in the time of the abyss.
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