Signature Japan exceeds the regular monthly collection of orange collections, currently stunning and noteworthy musicians and work. This five-person J-Pop band will surely be quick to mark its 25th anniversary and shower, and has a collection of classics and brand new launches.
July 2 – Japanese electronic word play, “7/2” can be viewed “Natsu” as “Natsu”, which means summer – a band from Okinawa sold a new video in its trademark fate called “Ikenai Taiyo” (((“Naughty Sunlight”).
Aesthetic influences this variant of celebrities are the first choice of interesting duo Mayurika, which previously priced quotes verses of the verses of the treatments and attributes or “Shanghai Honey” thrown by Aughts 72 Japanese Japanese pop culture suggestions, a duration from the country’s era Heisei Age of Nation of Age of Nation of the Heisei. The comic tape reverberates with 30 to 40 people matured during the pop band strike, surpassing Japan’s video editing attractions for 2 consecutive weeks and can still cover today’s cost maps.
Additionally, the team’s “Oshare Bancho mission was preferred on Tiktok. Because in 2008, the track actually danced. The orange collection is currently a traditional individual attraction. The competitors of music from all these people are very addicted to the band, not only accepting, but also keeping the power of pop songs buzzing. This is a competitor to the celebration, and it is a power reflected after the band gets together.
Back in July 2010, or developed its own independent imprint called the “Super ((mirror))” tag, most recently, it performed a song task alone. The band returned to Sony Songs Records in Might and got rid of the initial CD loneliness from the brand name, called “Maji de Sekai Kaecau 5 Byu Mae” in the name of 12 years. Currently, the band is currently promoting the work of its Natsui Natsu (usually means “Summer Summer Mission”), promoting the summer of “Reiwa 7” (2025), which includes a famous event track composed of “Hadashi no Ceccoli”. In the latest conference, participants and tag staff talked about the concept of Japanese signs and were related to SMR and various circulations.
Considering that 2007 is the iconic tune of the TV collection, “Ikenai Taiyo”. Hana-kimi And became one of your famous tracks, partly because of the appeal of the program. How do you watch the summer 2025 rebirth?
RYO: Looking at the initial YouTube shoot and evaluation of our videos, I think the core target market is probably in my 30s and there are actually a lot of people paying attention to our tracks. After that, teenagers and 20-year-old remarks saw these remarks and learned that those who were using to focus on orange varieties that day were a true contemporary feeling. When we debuted, it had nothing, so it actually made me happy.
NAOTO: I have a personal account of this. I got a sentence from a family member, a young high school man, and I didn’t really talk to me until the previous year. The young man was similar to “I never understood the mission of Oshare Bancho. I really didn’t want to tear too much, so I just simply replied, “Thank you.”[Laughs]
Yamato: To be honest, I’m actually happy about it. But we haven’t really changed what we actually do. Currently, we are riding in person and experiencing a sign of danger, but keeping what we need to do and what we need to do as we keep doing.
Hiroki: While it’s not only an unexpected spontaneous feeling, there’s absolutely tactical aspect, but we never thought it would be that way. I think we are very lucky. However, since we’ve actually been doing this before, I actually want to give myself honor, and so is the power of our repertoire. Getting a brand new focus shows that we have a greater chance of getting more people to focus on our future launches and I am happy that the whole occasion is successful. Of course, this is not the goal to accomplish, so I’m glad just how to manage the following tracks etc.
You left gr8! Records, which is the tag you actually keep in Sony songs for 9 years and rejoined the Sony songs record in May. As a band, there is a tactical purpose behind this action, right?
Yes: I plan to make the band a robot. It started out as a small robot with only participants. But when our tracks start to attract more people, it has actually expanded to grow bigger and bigger people, similar to our tools keeping the shift. After that, to return to fundamentals, we choose to run for ourselves again, which indicates leaving the business. Regardless of the setup, there is a lot to find out and we have actually taken action to build our careers. So, directly, I was excited to wait for those very effective tools and high protection guards we used. This is not an option last year or more and has always seemed to me. I’m glad we actually achieved great results and assume we’ve actually taken a major step toward the 25th anniversary of our second year.
Do you really feel any kind of controversy when you leave the main tag?
YOH: When we end up being stars, including more and more people, it shows that participants speak much less to every other aspect and it’s hard to understand what everyone is assuming. It seems that the pressure is maintained within the team. This is a huge tension for me. Going back to the independent scene, I listen to personal stories that I may have never been exposed to and have all kinds of experiences. Often, individuals check us in a discriminatory manner, so having the ability to delete is substantial. I’m sure everyone has their own experience. It seems that each one is combined with each other and stays in touch with this amazing process we have today.
Lu: I’m really conflicted. It seems we are just starting to bill. At that time, I thought this was the ideal focus. Since we have actually recognized each other’s resilience and weakness, we actually reached a great balance because each person has their own function. The following year was our 25th anniversary and I think it would be great if we reached 35th and we have the ability in every region in every region.
Do you seem to have the ability to work with an important document tag again and develop the facts today, because the band is currently getting harder facts?
Lu: Oh, sure.
Yes: Directly, I discovered a lot of brand new points when we were one-on-one with the tag guys. There are currently additional components after each person has a comprehensive assessment of the points, so it is actually pleasant to hear what they claim to have. I point out that they all have done it from excellent universities. [Laughs] You need to hand it over to them.
How do you view your stealth efficiency? You launched “Ikenai Taiyo” on July 18 and “Hana” on July 30.
Lu: I’m very worried.
Amato: Maybe I’m really upset because my nearest position is that I also take points seriously. However, I also found that over the past few years, I actually ended up bringing additional awareness stress.
is that so?
Yamato: I am now mature and I am not as mobile as I used to be, so I started to take advantage of my own concepts. I am a person when relying on reactions to cycles. After I quit and started thinking about the highest possible viewpoint, I knew I actually avoided the work that I had to perform in the past few years. I’m very familiar with all the examples and it seems that I’m starting to put more pressure on myself. Maybe that’s what makes me worry.
NAOTO: About the young relatives I’ve said before – I received a message claiming “I also saw the initial sight.”
So you want to get into that group! It’s your first time participating in any type of element, are you intentionally focusing?
Yamato: I thought I would definitely do this, but found that there are a lot of components I sing in the recording, but don’t broadcast them live. We had a conversation like: “Why should we try to get closer to recording here?” Maybe we could also incorporate it into a great accent in later performances.
Notify us how this job happened, “ikenai taiyo (reiwaver. Video).
Hiroki: This is what we started planning a few months ago. It was originally from the guidance from the group, so I actually intended to ask for it for now. I think they can see some different actions like “Let’s do this, allow this” while others like “Is this a good concept?” Each of these factors is related to where we are and I want to know the extent to which they are intended.
SMR Team: We have a lot of concepts, but the most important element may not only be me, but the whole Sony Songs Records Group is very happy to work with Orange Array again. As a result, having this shared excitement among the staff can really accomplish everything. Also, I really feel that many of the fashion and music tasks within the business are still very grateful throughout the band’s entire period, which makes us really feel we need to press this legacy the right way.
This is very interesting.
Team: I think I initially told the participants that they were going to review previous tracks and that they understood that they might not be like this concept. However (these tracks) are so strong for me. I think with the extra highlights, and a minute to go, the band’s brand new track will correctly cover the individual. That’s why I discuss it. So it’s actually similar to the start factor, the entrance, and I’m glad to be able to develop a brand new point and launch a brand new track with the band.
Tell us about your latest “Hadashi no Ceccoli”. What are the original principles behind its development?
NAOTO: Our group asked us to write something like “Antique Orange Hill Summer Explosion”. The concept is that we do not act on ourselves, but decide to agree with it. So it’s more like a self-plastic in the ancient orange variety than trying to develop a completely new perspective. However, ultimately it gives us a whole new feeling, and we know this example definitely works.
Hiroki: Over the past few years, we have actually made tracks based on our own judgments entirely on our own judgments. Therefore, at this moment, we intentionally try to absorb and combine various personal opinions and concepts. That may be a means of reasoning. Recently, we actually haven’t actually sang like A-Melody (initial rhyme). Despite the scriptures, we seek out that cheesy feeling purposefully, such as “Remember before?” when we do. I don’t want to make the same point of view again and again, I hope to try various points of view, do you understand? So we’re similar to “maybe this must do it too” and enjoy it.
Ultimately, what is the vision and passion of the Orange Collection?
Hiroki: We also launched “Hana” in our first shoot, so I hope the women’s team who personally looked for Hana mistakenly clicked our “Hana” and got more perspectives.
Yamato: They are all browsing.
Hiroki: It’s great that we get more efficient when individuals look for “Hana”.[Laughs]
– Takuto Ueda’s meeting first appeared on Japanese signboards
