September 25, 2025

ZUTOMAYO’s ‘OMOTE EXPOSITION’ Program at Osaka/Kansai Exposition: Performance Wrap-up

Given Osaka, it has actually been based on the style of “human progress and consistency between human beings” for 55 years, given the 70th century. In fact, in the current recurring page 2025 expo “Matsuri”, there have been many efficiencies in “Matsuri” and a particularly noteworthy plan was held in this external area this month before. The unique performance produced by Zutomayo is marked as “Meikō Wagunaruga Gotoshi” Omote Expo, which is ultimately feasibility after the band works directly with the Osaka/Kansai Expo Coordinator.

Discover.

Check out the latest video clips, graphics and information

Zutomayo’s Meikō Wagunaruga Gotoshi (which widely states that “memorial achievement is similar to stupid achievement”) is an industry journey that has attracted 120,000 followers nationwide from March to this year. With the idea that “twelve o’clock at night always unfolds in the distance of the sun”, this trip brings a unique focus to the project that makes it feasible in the 70s bursts, just as the current 2025 exhibition is in progress.

Zutomayo Expo 2025

Zutomayo Expo 2025

Yosuke torii

This claim, this relatively quirky trip reveals information with individuals who attempt to achieve ineffectiveness, both through experiments and experiments and endings about personal life. Omote’s 2025 “Meikōwagunaruga Gotoshi” offers the possibility of an imaginary twelve o’clock displayed at night, which is the stage of the actual exhibition that really takes place in 2025.

The initial real-time performance of musicians is sure to be held at the 2025 Expo, where ticketing providers from the International Expo can enter the Lotto game to get the program for free. After the occasion was revealed, followers were eager to enter the lottery. The 16,000-capacity fair department, “Matsuri”, has individuals that build files for the largest real-time occasions retained in this external area. The excitement of the occasion was so enthusiastic that followers gathered and listened to leaks outside the industry.

The most segregation of the program is that despite its theoretical type, the program is filled with full power and a atmosphere of congratulations. After the story of the opening event of well-known Japanese star Koji Ishizaka, he likewise told Exposition ‘0s in the 70s, rising with high power efficiency from the beginning, consisting of the opening number “DNA”, consisting of “DNA”, consisting of CRT DRA and electrical follower cards and “by oshin will certainly kamu by oshoshin will certainly kamu”, in addition to “claps ins claps in claps in.”

Strangely, Zutomayo’s songs are composed of an unusually complex mix of components. These music start with rock, pop, heart, funk, call, club songs and rap and many other meanings, from singer-song-like high quality to Japanese network songs (such as Vocaloid) (such as Vocaloid), from Rock, Pop, Pop, Calling, Calling, Club Songs and Rap, and all the meanings. In a real-time environment, the unique means of pure pop songs blend together and get rid of the audience. What’s particularly compelling is just how the team incorporates black songs like Soul/Funk and hip jump sensitivity into Japanese pop songs. This lively audio is perfectly in line with this congratulation environment of real-time efficiency.

Zutomayo Expo 2025

Zutomayo Expo 2025

Yosuke torii

The performance retains full intensity in the second fifty-five percent (sometimes including aesthetic results), evocative American songs revealed from the American 70s Heart train Stimulate the soul/funk design of that period. Information such as egg chairs and red public telephones commemorate the gazebo of the 70s to produce unique efficiency and describe components from 55 years ago in a modern way. Observing these efficiencies was initially developed for the fictional “Expo in the Far”, revealing true grandeur at the actual 2025 expo. Specifically, the tune “Lotion” launched earlier this year is a medium-sized emphasis, with its pleasing audio in the ventilated string type that blends Philly Heart with the smoothness of Zutomayo’s unique vocal and efficiency design.

The band is still attracted by “Milabo”, the nightclub mirror balls rotate in the expo phase, reflecting the initial shadow of the lights, and not in the original document throughout the “Discover Me” where the jumping manufacturer Hajime Gushiken gathers on the motorcycle, gathered on the car by the trumpet Hajime Hajime Gushiken. Lasers ruthlessly landed on the target market as the band developed their strength online in “Tedada.” Throughout the program, the band likewise discovered aesthetic satisfaction using open tape decks, CRT performance drums and electrical follower harp and provided a large number of exhibitions that shocked the entire place, ruthlessly developing the group’s excitement.

Zutomayo Expo 2025

Zutomayo Expo 2025

Yosuke torii

In the enclosed area, the performance ended with a famous quote from the late musician Taro Okamoto, which was produced on 70 55 years ago at Sunlight Tower ’70 Expo’Expo’expo’Expo’Expo’ Expo’ Expo’ Expo’ before: “Isolation is absolutely social.” Zutomayo shared a story about the Ishizaka meeting before that, asking him to tell him. When asked “What is the difference between half a century ago and now?” Ishizaka replied: “Today’s few points are more challenging than an easier, more positive period. But I don’t really feel that the nature of humanity has actually changed a lot.” After passing these words to the group, the band completed the scene with a unified efficiency of “Seigi” (simply) “.

During the 55 years between the 1970s and the 2025 Expo, many people deal with isolation, determined through experiments, and finally on time. Zutomayo validates this soaring isolation, its current occasion (proposal to ignore income in a truly reasonable type is an unparalleled independent plan), conveying this affirmation message with truly grand efficiency. All aspects of the layout itself convey Zutomayo’s personality.

After efficiency, the term “from Japan to many countries” recalls the exhibition, and the band revealed that its Japanese and Asian trip “Zutomayo Intense II” will surely go to 9 cities in the region. It seems Zutomayo will certainly continue to increase its obvious impact in the future.

Japan and Asia Travel “Zutomayo Intense II”

February 28, 2026 (Saturday) – Tokyo, Japan @ Nippon Budokan

March 1, 2026 (Sunshine) – Tokyo, Japan @ Nippon Budokan

March 14, 2026 (Saturday) – Seoul, South Korea @ College Tiger Dome

March 28, 2026 (Saturday) – Shanghai (revealed place)

April 4, 2026 (Saturday) – Kananakawa, Yokohama Mountain District, Japan

April 5, 2026 (Sunshine) – Kawakawa@Yokohama Department, Japan

Friday, April 17, 2026 – Singapore @ The Celebrity Theatre

April 24, 2026 (Friday) – Osaka, Japan @ Osaka – jōhall

April 25, 2026 (Saturday) – Osaka, Japan @ Osaka – jōopera House

Saturday, May 2, 2026 – Bangkok @ Union Hall

May 16, 2026 (Saturday) – Taipei (Revealed Area)

Tuesday, June 2, 2026 – Kana Nakawa, Japan @ k-arena yokohama

Wednesday, June 3, 2026 – Kana Nakawa of Japan @ k-arena yokohama.

Remember: it may include various other foreign days.

– This article by Jin Sugiyama appears on Japanese signs for the first time

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The Asia Artist Magazine is the definitive authority on Asia’s art industry, providing unparalleled insights into the region’s dynamic art market, leading artists, industry trends, investment opportunities, and cross-sector collaborations. As a premier international publication, the magazine serves as a critical reference for collectors, investors, auction houses, galleries, and luxury brands seeking a comprehensive understanding of Asia’s evolving artistic landscape.

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