She Runs the Boards Concerns Mexico to Advertise Female’s Involvement in the Songs Sector and Fight Sex Inequality

Spanish superstar Rosalían delivered a sincere speech at the 2019 song celebration. She told the story that her experience might find that audio designers and manufacturers are guys at the workshop. When she was studying songs in college, the artist was the guy. The truth about women in the song market has actually changed over the past few years, but that’s not enough.

“I will definitely never quit until I figured out and saw the same women as the men in the workshop.” Advocates of 11 Latin Grammys and 2 Grammys are worried about her target market.

Rosalía claimed a few years ago that the latest record from USC Annenberg, released last January, said the workshop consisted of a seminar that revealed inequality among women in songs. She has a board of directors of operating the Phatoon through the document labeling and musician solutions company, a global campaign to change that with an immersive song lab. The program is linked to the Composer, Artist and Editorial Organization (ASCAP), which is the first time in Mexico this year.

She served as the Mexico Supervisory Board from March 20 to 22 after effective camps in cities such as Los Angeles, London, Berlin, Nigeria and Miami. International song programs developed by women for women are designed to test the lack of racial and gender diversity in the international song market.

“The factor we intend to do this is because we see a decrease in percentage of women, designers, manufacturers and authors in the song market, so in the song market, this effort is a means of trying to enhance the percentage,” said Elegance Hsiu, founder of the musician approach and program of the program.

“Any type of seminar conference is women, so being able to do that and bring it to Mexico City is a huge win for us,” HSIU includes.

Her board participants include entertainers Lena Burke, Lucky and Valentina Perdido, as well as writers Mónica Vélez, Agua Tinta, Agua Tinta, Agua Tinta, Amanda Coronel, Covi Quintana, Luisa Quintana, Luisa Quintana, Luisa Quintana, Luisa Quintana, Luisa Quintana, Luisa Almaguer, Marcela de la Garza and Marcela de la Garza and Shu uthoral; manufacturers GRTSCH and RLPK; and audio designers Karen Valdivieso, Lizzy Landau and Mariana Aguilar.

Over three days, a group of creatives and professionals (mostly Mexicans) worked together at Casa de Copas.

These women of these ages, races, responsibilities, jobs and song styles have 3 adjustments every day to make their ideas, skills and interests interested in each other to develop a wide variety of music, from Pop Pop to Melenger, Dark Pop and Mexican local songs.

“It’s not just the songs appear, but the cumulative heartbeat of the artist,” said Luis Castro, innovation director for global activities in Latin and International ASCAP. “When linking ideas, the spirit corresponds, and bringing voices into the group, the true expression of imagination flourishes.”

The laboratory unites Mónica Vélez, a number determined in the Hispanic song market. Experienced pianist Lena Burke; singer Luchy Dr, effective flexibility; Luisa Almaguer, representative of trans neighborhoods, alternative artists in Mexico; gifted young people like Grtsch and RPLK actually developed music written by Amanda Coronel and Marcela de la Garza, recognized in the Mexican local song market and fused with young designers Michelle Anzo and Karen Valdivieso.

Throughout the options process, ASCAP’s Luis Castro said they look for people with innovative “usual factors”. Their goal is to combine knowledgeable people with writers who start working.

“Witnessing the spirit of personal participation, shared concerns and innovative circulation is fascinating.” Guillermo “Pinky” Mordan, head of Latin for the bank.

Mónica Vélez is one of the most famous Mexican writers of the Hispanic stage and a winner of 2 Latin Grammy honors, confirming that women’s progress in songs and elsewhere is unstoppable.

“When a concept is essential, many people start copying it globally.

Mexican songwriter Mónicade La Garza said she has actually enjoyed more and more rooms in the song market over the years, especially in audio design and manufacturing.

“With the assistance of various other women, I was happy and influenced by the thoughts between each other in the process of developing, producing and recording songs.”

“It’s an honor to be able to deal with many talented women,” said Valentina Perdido of Puerto Rico. “I’m still a little musician from New York City, and about this big city, it’s one of the most extraordinary experiences to attend a seminar with all of these women.”

“Little Finger” emphasizes that there are clear examples of how women lead in today’s song market, such as Taylor Swift, Woman Gaga and Beyonce. In Latin America, Colombian women Karol G and Shakira have attracted attention, her 2024 CD Las Mujeres ya no Lloran’s Globe, which points to her victory in seven years to return to the song. He includes, he includes, we also want these generations of women to guide men’s work to make it a task to reveal the way. ”

“For us, it’s not about Mexico and did this tune training school,” Elegance Hsiu said. “We live every day, we maintain it because it’s very important for women to have that possibility. It’s very important for women to understand that they can be designers. They don’t need to be behind the console simply before they can be,” she ended. ”

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