Brandy Senki launches their first CD Brandy Senki Migh Migh. The band was founded in August 2022 and includes Hazuki (guitar and vocals), Minori (Bass) and Bori (drums). They have actually gained a lot of energy and the upcoming for their first solo in Japan in January 2025 Brandy Senki’s first CD launch It will definitely start in June.
Discover.
Discover
View the latest video clips, graphics and information
View the latest video clips, graphics and information
They start the main documentation of the CD, Brandy Senki So far, their move is orgasm. It’s a collection of 13 tracks composed of “Musica” that centers them all over the world, “Developing Story”, which triggers a lot of buzz and “handling” when NJZ’s Minji shares it, and it’s an amazing tune, a weakness that most of us have. The Japanese Signature seized the day and talked to Brandy Senki about their sensation as they entered a whole new stage in their song career.
First, can you tell us about the 2025 Neon Shelter event, you just finished it in late April? How do you think of your first foreign plan?
Hazuki: Based on stage, you will surely really feel love in a country with all languages. In addition, individuals are paying attention in a different way than the ones they target in Japan. Some people actually focus on concentration, while others gradually convince the song. Have this wonderful feeling about personal freedom. This is really fun.
Your brand new CD, Brandy Senki Like your band. What prompted you to choose this name?
Hazuki: There are only a few times you can call your CD yourself. In the past, we have launched a lot of tracks, so we talked about using it as a CD with the exact same name to share “this is Brandy Senki’s message”. That’s why we call this CD Brandy Senki
I believe the first song on the CD is necessary. Why did you choose “F*** The End of the World of Globe” to start CD?
Hazuki: When Brandy first focused on CDs, we really felt like a lot of people didn’t know. We believe that starting with a track will be an exciting target market like “What will you start?” which is certainly an advantage. This song is ideal.
You claim that the song is actually affected by the UK plan Global completion When you write poems or songs, is Hazuki usually influenced by stories or movies or something?
Hazuki: Continuous. But, like I completed a troubled globe, it is not common to be affected by an item.
It’s especially important to share tracks on CD?
Bory: To me, it must be the “end of a struggling globe.” The whole song has this flexible rhythm, and it is a battle. Currently, after completing this song, I am very happy to be part of the program whenever I hear or play it live.
Minori: For me, this is the fifth song “Water Mirror”. We’ve actually been playing it because of our first program. I believe this is also the first tune I listed after Hazuki sent out the trial. So, for me, it was a crucial tune because it represented the first track.
Hazki, what about you?
Hazuki: I probably have different inquiries every day (laughs). Today, I will definitely claim the first song “Spring”.
The verse of “Spring” is indeed expressed. They discussed the shoreline and shirts and the “Sicily paint” that mixed the beach photos together.
Hazuki: The truth is, for the individuals on the tune, spring hasn’t come yet, let alone summer. At the heart of the tune is the desire to visit the coastline, a feeling of this year’s desire for Sicily. But time is only in this space.
You’ve been playing “Last Real-Time” because real-time efficiency is early, right?
Minori: It returns to when we started, but when we tape, we convert it a little.
What should I do?
Mindiri: Between bridge modifications in bridges. There is a drum filler out there right now, but absolutely nothing in the end.
Bori: We chose to make this component, so we changed the plan around it.
Hazuki: We’re thinking of a great way to make a quick tune.
I also watched the video. It has this true “kawaii” feel. What did you discuss when you were in charge of manufacturing and manufacturing with director Nathalie Scarlette?
Hazuki: Nathalie starts with the first concept and creates almost every element of the video. For us, competing for Fall Leaf Barra or ice rink is actually unique. We were very excited by the impressive efficiency of the aesthetic influence.
Minori: Nathalie is actually like Brandy Senki. She realized that Zhang Mujing’s writing in deep articles is amazing. Nathalie is Australian, so she finds Japan similar from the outside. She thinks the cute point we ignore is because we bring it to approval. It’s great to have someone informed these points and have the ability to portray them. She keeps making these funny videos about us and it won’t happen to us either.
Bori: This is also Gureilla design. We built a drum on the vehicle and the traveler took our images. This is really different from the typical experience of shooting videos, and it is actually very interesting.
After that, there is the protagonist’s lonely “handling”. There are various definitions of this word, right?
Hazuki: This is used to suggest a lot of various points of view, so we think it is a fascinating track title. You can handle certain things, or you can handle things that are hurt. In this song we use it in various definitions, the sounds sing whether you can build these partnerships between yourself and others.
There is also a brand new tune “Keepsake Waltz” The title is just “Don’t ignore this waltz?”
Hazuki: Yes. We intend to make waltz or 3 meters tracks. That’s our starting factor.
It also has a string component. This is your first time using a string because “Problem – Acoustic?”
Minori: “Problem – Acoustics” also has strings, but this is the first time we’ve really used online program strings. In CD, there are strings on “Keepsake Waltz” and “UNT title”
“UNT Title” is an acoustic work. When did it be made up?
Hazuki: More than a year ago, we created “Untitled”. This is the only tune on the CD that can be called a pure love tune.
To end, have you always tried hand or something you intend to try to do in the future?
Minori: I love to do long train trips, but it takes you a whole day to do that. I plan to make time for myself and learn more about trains in Japan.
Bory: I felt like, I solved the barrier to drums. Actually, I’ve been discovering various rhythms because I started playing in the band and actually made them part of my own repertoire. Lately, I’ve been reviewing what a drum is and recognizing more drums – how do you get better audio? What type should be used when drumming? That example.
Hazuki: I’m just going to work on our following tune.
– Tatsuya Tanami’s meeting appears on Japanese signboard for the first time
