Sanyo’s media mixing material work Imarine Job is sure to mark his 10th anniversary this year. Recently, it began a whole new phase of “Imarine Job++” (read: “Imarine Job and and so”). Signature Japan spoke with Imale’s voice star Aya Uchida about her opinion that the job actually changed the progress of previous years and its desire for the future.
Imarine’s work began in 2015, and after 2020, Sanyo began the Imarine Job (a new phase). Currently, in 2025, it will surely enter a whole new stage of its development, especially the Emalene Job++. Think back, what did you see in the past few years?
Imarine’s work itself is commemorating its 10th anniversary, but I belong to its third variant, “Dive to Blue,” which is a complete computer animation video. It emphasizes the idea that “Emalene is also retained in your community”, which is probably why I was chosen as Voice Starlet.
I’ve actually worked with various other developers every year since, and the video editing and appearance have actually been changing. The fourth edition is a computer-animated video that includes personalities from Umi Monogatari, which have their own lines, so it seems that the design of Umi Monogatari Globe is revealed through computer animation and scriptures.
“Dark Blue Community e Oide”, right? It’s a story-like schedule, starting with an anime clip, then going into the tune, and then finishing with anime clip.
Correct. In the fifth edition, we actually adopt a more stylish, adult queen design. It seems like the anime aspect has actually gone completely, and the work is more like a song-centric work.
After that, 2020 saw the beginning of a new phase, which was the idea of a “2.8-dimensional” idol.
This is where the story unexpectedly begins to gain deeper levels. We are having a whole new difficulty – revealing stories, globes, scenes through songs.
There is a book on the internet that reproduces the Vrchat Crystal Royal Residence settings. This is not just a “media combination”, it is a work that combines different measurement aspects. Imarine Job++ is everything stars and supervisors do to add to this work.
Over the past five years, this work has actually expanded and defined the Earth and its appearance based on the story. These 5 years are a collection of experiments, right?
The work is a media profile that contains not only physical rooms but also electronic rooms, so each obstacle is a completely new obstacle. It’s all done with the expansion of Vtuber society, and it’s fascinating to see it at the center of a changing era.
As an artist, will the integration of electronics and the real world make the job difficult?
Yes, one point. As a voice star, I do a lot in the real world and I am very active because I still seem to keep improving when the area involves electronic globes. For example, preferred VTubers have their own designated responsibilities, but they also speak publicly.[Laughs]
When it comes to Emalene, personality is specified in the only, so if I claim that the point is incorrect, it can hurt the global sense. Like, if I was going to claim “I have ramen today,” before I opened my mouth, I would definitely start assuming “Wait, ramen probably doesn’t exist.” My components keep collaborating with that star’s mindset. [Laughs]
So a lot of thanks for your comprehensive arrangement, your location is different from VTubers, and they can be without reflection.
Yes, lately, I’ve actually been thinking about the means that it has actually started to change a little bit. Saeki states Ichika’s words in the case of virtual reality, and these views usually enter her personality. For example, she said, “I am a big eater.” [Laughs] What she said went into her digital personality and when I understood that, I seemed to be able to speak more openly. The earth and appearance of Emalene’s homework story is clear, but it is worth noting that information about the personality itself is obscured. I believe it looks like we will certainly exud the Earth of Imarine Job++, in addition to the recently introduced participant of the Followers Club, Songs Shield Shield Flexibility Department.
On your brand new track, Crazy, you’re taking a brand new category when you debuted in the stage recently: hip jump.
Idol worshippers are actually doing some great hip-hop songs lately. I’m a huge audience in my own personal life, so I’m glad that Emaleen finally accepted this kind of thing.
I believe that Imarine Job’s work exists beyond the range of anime and video editing, so I really hope to take advantage of the excellent audio efficiency in music that I really feel very positive.
So you do think the highest quality of a song needs to go beyond what is called “personal music” to make the song better. As the story is established, the definition of the track will eventually become more in-depth.
This time, the song is relocating various instructions. It’s darker and has more road feelings. It has this solid spirituality, bound by difficult daily survival. Much like the light at the center of pain. I love the real feeling of reality in the song.
Although this work is embedded in this electronic globe, human feelings do come across. Despite daily fighting, I still have this spirit of provocation. It is bigger than humans.
precisely. The story was established by both Imalene and Ichika, while the various other participants were initially human, but ultimately AIS.
So I’m not a human, but it’s because when I sing, it seems that I’m almost my natural self today. I can share my internal interests. I love it and it is actually probably one of the most purposeful components.
Stars and everyone in the stars applauded the personality of the dance efficiency in the video. I think this component also has a profound impact on you?
You’re talking about Isna’s plot, no. [Laughs] I used “personality” action on two tunes before, which actually obscured the excellent and challenging activity I had in my capture. This explosion is done by leveraging motion capture on a true professional dancer. It is amazing to record the technical ability degree required for this crazy exercise![Laughs]
In addition, there is a team of members. I love the idea of how the entire video clip highlights the “we are not the only ones”. So far, we have actually been allowing individuals to consider the Earth we developed, but looking forward, we will definitely do so to ensure individuals can penetrate immersion from the perspective of a free music shield globe.
The work is on the verge of blood loss, but the results completed have been great, which is amazing. I need to maintain maintenance attempts, so I won’t back off.
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