“The designer loves to deal with him because he understands that we not only want to shine, but to make a room and make it more gorgeous,” Mr. Donaldson continued. “He also knows that in some cases there are demands to illuminate the room in a way, which makes it more eye-catching or eye-catching. Without him, lighting is an area.”
Nevertheless, Mr. Mariz received honors from the American Institute of Architects, an inspiring design culture and the international organization of light designers, and he is equally well suited to the lack of the function and power of light (light). His child Nicholas claimed at a meeting that one of his popular publications was “Appreciation Shadows” (1933), and both Jun’Ichirō Tanizaki and Mr. Marantz of Japanese Visual Paper both took into account “basic information of lighting developers.”
His companion Mr. Rock claimed: “Paul would surely grin, raise his head upwards, and shout, ‘Think of the darkness!'” said his companion Mr. Rock. “This principle stems from dramatic and architectural lighting, which is the core of his lighting approach.”
In 1977, when Ian Schrager, now known as the hotel business, was seeking brand new club lighting made by someone for the company’s companion Steve Rubell, Mr. Schrager claimed in a meeting in 1977. Afterwards, Mr. Marantz inspected the area.
“I saw this guy who looked very teacher; he had a beard, a layer of glasses,” Schrager said. “I don’t know if he would definitely be interested.”
