I Made it through Viola’s Area, a Spooky New Immersive Program Narrated by Helena Bonham Carter

Real life is really scary. Forgot to open some horrible flicks: Checking out “Daily Headlines” is enough to make anyone scream. Still, I can’t help increase the worry variable and check out the weird, immersive art nouveau experience that opens in New York City today.

Since being in the shed in October, the project’s title is Viola space Born by the famous film business Punchdrunk under the guidance of Felix Barrett Say goodbye and rest It was an interactive hour trip that allowed visitors to weave barefoot dark spaces and halls in a maze (by developer Casey Jay Andrews), while the brilliant unusual Helena Bonham Carter informed the fable based on a 1901 story Moon servant By Barry Discomfort, provided by headphones. Again, don’t worry about real-time stars or jumps, it can produce a reliable (also quite poetic) experience.

Images may contain lamp art painting people desk lamps and bags

Visitors walk Viola space.

Image: Mark J. Franklin

When I came to the proposed period, I was stunned and found that my group had only one heart. ((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( Viola space Our instructions should not exceed 6 people at once. (I would certainly like to let my companions blaze a trail.)

In the original room – a teenage lady’s room with wall surface and with Tori Amos and Buffy Vampire Slayer Poster – When she begins to inform a Gothic story about a princess leaving her castle, abandoning the royal prince, and inexplicably going to the evening, the poster suggests us to rest. As time goes by, the space around us falls under the darkness, the only light of the castle covered by the edge. There is no doubt that as we climbed up to that castle, we immediately entered a new room: the corridors in the maze were inlaid with white sheets.

As Carter’s narrative proceeds, she defines the princess’ “directly trapped in a lovely and threatening woodland, similar to us, and is brought into even more extraordinary conditions. We wandered barefoot, and we traveled with the surface, at the same time, from the woodland landscape to the high ceiling churches, with discolored glass home windows that were filled with smog. There is another space with a table with balloons lining the ceiling, although by night their strings do feel more like a crawling plant or a creeper’s internet.


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