Christie generated $21.3 million in the mid-season of New York City’s post-war public auction, improving efficiency ahead of Helen Frankenthaler, Ed Ruscha, Richard Estes and Diane Arbus.
On February 27, 217 units sold in New York City were sold in large quantities on-site, with 55 unsold times, with a marketing price of 72.8%.
The highest is Frank Naller concerto (1982), costing $2.1 million, bringing you back $2.1 million, exceeding the offer of $500,000 to $700,000; comply with Ed Ruscha pressure (1967), the price is below $2 million and the price is between $1 million and $1.5 million.
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Artist expert Dane Jensen represents the client as one of the troubles with Frankenthaler’s paint, but the result of the completion is “a bit mysterious” due to its smaller dimensions and amount of time. “For me, spending this work of art is a lot of cash,” he told Artnews “Other really high markets are big paint. It’s undoubtedly a whole new standard.”
Comparatively, in the 2014 Zhongchun public auction, there were 296 units (77 unsold and 10 withdrawals, with a marketing price of 70.6%), and a fee of $21.5 million was charged. In addition, the proposal only has 2 jobs, which provide 7 numbers.
(Unless mentioned, all rates listed below include customer fees and various other fees.)
Back concerto and pressure The following mid-season sales are from Richard Diebenkorn Untitled (at sea) The rate is $781,200, about $400,000 to $600,000.
Richard Estes East (1994). Thanks Christie.
Richard Estes East (1994), $693,000 and Diane Arbus Twins, Roselle NJ 1966 The fee is $630,000. Approximate prices for both jobs are quoted from $500,000 to $700,000. David Hockney Gouache Illustration, 1994 Overestimated by $600,000 and the price is $541,800.
Bob Thompson La Gamme d’Amour (1965), priced at $504,000, up from its offer of $250,000 to $350,000; untitled Keith Haring by Dutch furniture developer and art collection agency Martin Visser’s title of $459,900, ticket price of $250,000; and Robert Mangold Untitled (green) Mel & Martha Horowitz’s collection price is $428,400, about $180,000 to $250,000.
The highest approximate job really doesn’t sell 226, Mark Grotjahn Untitled (3 blue eyes 856 huge red butterflies) Starting in 2010, oil and colored pencils have been operating around $500,000 to $700,000.
Artist Expert Ivy Shapiro Notification Artnews “It’s really cautious right now. I believe it’s a bit dull and anxious at the moment.”
Functions by leading names that additionally did not market consisted of Josef Albers, Carl Andrew, a flower holder by Ai Weiwei, a train illustration by Keith Haring, a partnership in between Takashi Murakami and Virgil Abloh, a theoretical job by Felix Gonzales-Torres from the Rosa De La Cruz collection, along with a brass cord a pretty tiara by Alexander Calder.
On the other hand, 3 jobs that were well executed were from Yu Nishimura Coastline (2020), Jennifer Guidi Body, hills, mind (layered with white sandy SF #2SF, white yellow and pink) and Lisa Yuskavage PXLP (1998).
Coastline The result is the largest, costing $296,100, which is actually a miscalculated $60,000 and has created a brand new public auction document for Nishimura. The Japanese musician will surely open on April 24 at David Zwirner in New York City and will surely hold his initial solo exhibition in the United States to reveal a brand new paint.
Guidi’s 8-foot 6-foot oil, acrylic, sand and sheet manufacturing plant sends you back $233,100, about $100,000 to $150,000. PXLP Valued at $201,600, approximately $50,000 to $70,000, L’Alliance provides New York City-New York City-based French, educational and learning and social arts institutions.
Lisa Yuskavage PXLP (1998). Thanks Christie.
result PXLP It complies with the three-story Zwirner exhibition of Yuskavage throughout Frieze La Art Fair. Artnews Senior editor Max Duron called the show “excellent” because of how Yuskavage removed her profile, “putting her personality in her numerous fictional musician workshops.”
“The difficulties Yuskavage has built for herself are what makes her paintings so good,” Durham said.
Jansen claims that the results of mid-season sales can be challenging, especially in the current “discovery” art market with opportunities for abstract expressionism and metaphorical paint. “There is certainly a real beauty in individuals and everything will come out after that, which makes it a tough and challenging sale,” he claimed.
It’s worth seeing the paint by Titus Kaphar Historical non-fiction (2018) In addition to the sale, there are about $120,000 to $180,000. The portraitist performed solo efficiency in 2014 in the Gagosian area of Beverly Hills, consisting of paint from the semi-autobiographical film “Exhibition Mercy” which debuted in Sundance.
Upgrade, March 3, 2025: According to brand new information from Christie’s speakers, suits (work clothes, unsold and removed), and upgraded market prices after magazines.
