That Was Mary Reynolds and Why Was She So Vital?

Mary Reynolds made all capitalized phone cards, just check out: Mary Reynolds/RELIURE/ 24R. Halle/Paris Fourteen. It’s not clear why she wants them, because she Resign (“binding” in French) is usually suitable for you. The address is semi-accurate. Reynolds belongs there, however, in addition to living in a two-story house on 14th Road, there are plenty of yards for Brancusi sculptures, many felines and surreal celebrations every night.

Oh, and for many days, her companion, Marcel Duchamp, also existed. They adorn 14th Street Halle and amassed strange plans, jewellery, glass shards and ropes. Later, Duchamp talked about the lady he had actually been included for more than twenty years, having experienced the bloom of art during the global battles in Paris and following his own imagination.

Move from New York City to Paris in minutes from Reynolds (1891-1950), Américaine Surrounded by musicians and authors. It was not the kind of firmness she held on to as a young man who symbolized the elevated heraldic sign of Minneapolis. Still, Renault should be constantly rushing toward another thing, as she is most likely to go to college in Vassar before moving to Greenwich Town, with her other half eventually becoming the scene. When they were acquired throughout the world war, the Bohemians had a reduced lifestyle and they died of pneumonia while in France. Her other half of her body has never been hidden in your home. Instead, Reynolds crossed the Atlantic Ocean, approached his spirit and would never leave again.

Gentle and charitable, certainly not shy, Renault quickly became a partner. Digital photographer Male Ray (which included being expelled journalist) landed in Paris a few months before she was satisfied. “She is a fairy godmother, and she has actually made everyone find her.” However, not all brand new partners have the purest goal. “She was executed a lot and asked for help.” Perhaps because she couldn’t pay for the job, people thought of Renault as an addictive socialite. In fact, she did it through the Purchase Widow’s Pension Plan and the small trust developed by her mom and dad.

“She was the only rich guy in Bohemia, but she has been in debt since the moment she got here from the United States.” Formed an additional partner, Peggy Guggenheim, who was satisfied with Paris in the early 1920s and was with each other towards Egypt (where like Egypt) (they all accumulated unpopular Jews).

Reynolds’s companion appears at her home, the walls are covered with their artwork. To name a few, you hosted scenes of Jean Arp Parviation, Alexander Calder Mobile and Yves Tanguy at your house in Hallé14 Rue Hallé.

Among several musicians organized by Reynolds, 2 exhibitions have been held at the Chicago Academy of Art. When Kahlo was initially on her journey to Paris in 1939, she and Reynolds immediately knocked it out – and many times, when Kahlo was contaminated by a devastating kidney infection, Reynolds provided her with an area of ​​her home and helped her assistance (Kahlo stayed for a month).

“She is a great person and has nothing to do with the infamous “musician” [André] Breton. “She is really a type to me, and she is very good to me.” Pastime is shared. In a letter to Carlo after Reynolds left, she wrote: “Your home is still and you don’t know yourself. You will miss you very much.”

Reynolds had a gift to foster social communities, but by the late 1920s she wanted her own innovative electrical exports. She chose to discover the art of Bookbinding, a fashion invention for women at the time. In 1929, Reynolds conducted a year of research at the workshop of Bookbinder Pierre Legrain and educated her basic abilities, as well as how to combine patterns, pet skins and prints.

Reynolds leaves Legrain Resign Her own S. Later Duchamp wrote: “She made several truly original bindings, completely separate from the classic mentor and pointed out with absolutely unique techniques and unforeseen dreams.” She focused on Dada’s magazine and surrealism created by her partners, and maintained products like mechanical media and unique natural leather at home.

She uses odd products attached to the message itself to convert the guide directly into odd things. Some of these links are obvious. Rhyme created by Paul Éluard and quotes Rumbling, Les Mains Libres ((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( free In 1937), Reynolds created an aesthetic word drama by holding the handmade cover on the front and back cover (and thus “starting” the audience’s hands). Others are more challenging and clearly mention its definition after reviewing the message.

Buddy Jean Cocteau’s imprint, nearly a quarter of Reynolds’ information on its publications, covers and completions have branded their trademark celebrities. Reynolds also locked in 12 jobs by her close friend, speculative writer Raymond Queneau. She attaches the damaged thermostat and repairs it to cold factor The United Nations Irrecited Hoff (a tough winter, 1939). On her last wooden mill mission is Queneau St. Greenlin (1948), she dealt with the management of porcelain teacup on her back, describing a scene where she smashed the meal throughout the event.

Over the years, Renault and Duchamp have actually worked with protection kits and their bonding. The first mission they joined was Duchamp UBU ROI (1896) – The front cover lowering the front cover produces a U and publishes the abdominal muscles on the back to ensure the cover displays “UBU” when it is opened. Renault’s understanding of gold coins and natural leather items may then affect Duchamp’s boîtes-en-valise His job is very small.

During World War II and the Paris invasion in Germany, the years of participation and gold medals were reduced. In 1941, Duchamp was authorized to leave the city, but Reynolds asked to keep it Douce Mary hints “Mental Mary”). Renault wrote that year in a letter to his brother in Chicago: “Reality is often frustrating.”

Throughout the battle, Reynolds stayed in Paris amid personal threats, expanded their vegetables and dedicated the shelter to those who left Nazi oppression. “After she left the camp of a detainee in Germany, she covered me up for 10 days at a home in Paris,” wrote the musician Jean Hélion, whom she assisted. “She herself was managed by the authorities and after that she posed a serious threat. So charming, lovely, active, and lasting.”

By the spring of 1942, Reynolds discovered that Gestapo enjoyed the 14th highway Ruehalé and illegally crossed the Occupy Line on September and left New York City on a long and harmful route, consisting of the Pyrenees Hills. Paris News Reporter Brand new York Janet Flanner, created in a three-part story called “The Vacation of Mrs. Jeffries,” Reynolds’ Retreat (rather than a novel).

However, Reynolds stayed in New York City only six weeks after the end of the hostilities. Duchamp really didn’t (although he jumped a little between Paris and New York City) and had a worship with Brazilian artist Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria Maria

A few years later, Renault’s health began to decline, and by 1950, she discovered that she had cancer cells. Her brother Frank Brookes Hubachek made money for Duchamp’s journey so he could be with her. A few days after Duchamp arrived, Reynolds fell into a coma and died at his home near Duchamp.

After his death, Duchamp assisted in finding her collector’s home. Reynolds tied up unique publications to honor her writers, but other things made up of Mary Reynolds’ favorites and were offered to the Chicago Academy of Arts (her brother was a trustee). The hybrid of this unique product comes with 500 publications, CDs, publications, event manuals, handouts (composed of Evermera that can be easily removed), and 70 guides she binds. When Duchamp released a publication about his collection in 1956, he explained that it was not a formal collection. “It’s more like a diary: The thirty years of life in Paris by the Journal of Mary Louise Reynolds.”

Regardless of her profound origins in the life of a popular Parisian musician, Reynolds is very rare. Her collection components, along with Kahlo’s work, retained her personality and imaginativeness on the screen at the Art Institute of Chicago.

Flanner contacted Reynolds’ brother. “There is something Immediately With her gratitude, she seems to be standing by the writer and musician, so she is a consistent witness. I really like Mary; her homosexuality, her unique tone of voice, giggles and smiles are usually so reflective. Oh, she is a lovely lady. “

“Frida Kahlo in Paris: Relationship with Mary Reynolds” Chicago Academy of Art held its Vision in Chicago from March 29, 2025 to July 13, 2025 in Chicago