South Korea’s leading musician Lee Bul will surely be represented by Hauser & Wirth at the moment. The gallery will surely have 2 surgeries in the compartment in Hong Kong Art in Basel. The following year, the gallery will definitely hold a personal event in New York City.
Hauser & Wirth’s transfer shows that Lee will certainly not deal with her 2 durable dealerships: Thaddaeus Ropac, which reveals her because of 2007 and Lehmann Maupin, which reveals her because of 2008.
Because in the 1990s, Lee was actually understood because of his interdisciplinary techniques, including sculpture, setup, efficiency and paint – accurately examining how innovation changes our lives. When innovation is given, she also focuses on optimistic awareness or alienation.
Her most popular series in this publication is her “Cyborg” sculpture and an alien-like “Anagram” work from the early 2000s. Hauser & Wirth will surely be in Basel Hong Kong Art Untitled (Anagram Natural Leather #11 Kids) In view of 2003/2018, the actor’s fiberglass sculpture is lined with a natural leather cover and a brand new abstract paint perdu ccix
Recently, Lee’s work was revealed at the Metropolitan Art Gallery in New York City, an integral part of the gallery’s exterior committee. Her work will surely return in the upcoming team event, Mortrous Elegance: Feminist Revisions of Chinoiserie. Later this year, she will definitely give a mid-term review of her journey, which will surely debut at the Leeum Art Gallery in Seoul in September before heading to Hong Kong M+ in March 2026.
During her biennial trip, she actually went to the Venice Biennale in 1999 and 2019, the Sydney Biennale in 2016, the Bangkok Art Biennale in 2018, the Statement of Faith in 2022, and the possibility. 12008 in New Orleans 1.
” Plum [Bul] “It is recognized as one of the most critical musicians of her generation,” Hossel and Worth Governor Marc Payot said in the manifesto. “Houser and Wirth national head Marc Payot said she is currently viewed as the leader of a younger generation of musicians, and is subject to the sensitivity of early work, the efficiency of idolatry and the sensitivity of multisensory settings, expanding the official and theoretical limits of aesthetics.”