On a cool early morning in April 2020, furniture developer Etel Carmona woke up on the Serra da Mantiqueira mountain in southeastern Brazil and fell out of the smog. The ridge she saw when she arrived here the day before – the sight of the youth she met outside the town of Sapucaí-Mirim near her has actually disappeared. Carmona, 78, touches on the woodland hills on the pointer of her child, Nelo Augusto (49), and tells a story while driving in the olive groves and coffee vineyards in Minas Turf. Carmona is a 120-mile trip from her home in St. Paul. Thanks so much to Nelo Augusto for the arrangement with everyone, she invested in a unique two-story house at the time, the only structure on a residential or commercial property at the time. She claimed she claimed she woke up in the clouds early in the next morning, “I chose to live in a home there,” she claimed. “Because I have a close partnership with this landscape.” The work is not only a home, but also a rural shelter, her 3 young people and their family – surely a homecoming.
Years passed because Carmona invested any actual time near her birthplace. She had actually moved to Sao Paulo, a teenager, to complete research and remained in the city until the early 1980s, when she was tired from voices and online traffic, she moved to Louveira, a northwestern community with her husband and her young family. Carmona, who was upset by discovering the furniture of the house, developed a woodworking workshop on a residential or commercial property in 1985, where she and the regional woodworkers built Credenzas, bed structures and diet tables, all of which were adjusted by standard joinery for each of the modern ones. In 1993, Carmona opened a layout workshop and gallery. Over the next few years, Lissa, a 52-year-old girl who currently runs the company, surpassed Carmona’s style and her close family, Claudia Moreira Salles, re-edited by license from Brazilian masters, consists of Lina Bo Bardi and Zalszupin.
Lissa also wants to deal with artisans and contractors who are very familiar with the environment, surfaces, products and customs of the region. She came across the proposition of a prefabricated cabin, a luxury resort based in Sao Paulo, founded in 2008 by Marina Acayaba, 44, her husband, Juan Pablo Rosenberg, 49. The couple and countless artisans have meticulously restored a 19th-century farmhouse with neighborhood balcony, connecting the work to its native environment, just as Lissa and her mom hoped. “In Backwoods, there is another connection,” Akayaba claims.
The designer actually immediately developed a website strategy after checking a residential or commercial property in 2021, with almost no modifications to the style and construction for two years. Carmona shares a 1,400-square-foot three-bedroom home with her 49-year-old girl, Camilla (the gallery’s business director), the tallest of 3 cleaning jobs. The roof covering and rock structure of Terra-Cotta tile roof covers the structure’s rock structure, meaning Portuguese farmhouses in the border countryside, while the family windows curve around the edge of the cozy wooden living room, as Acayaba puts it, “the currency composition of the standard house”.
From there, the rock staircase predicted from the mountainside to a shared structure of 3,983 square feet. In your area, grind rose cedar wire frames on the interior wall surfaces, simulate blushing blocks that lay on the floor and create a carved 18-foot island in the public home kitchen area. The pink dirt that refuses the floor will turn into a colorful beige on the Brasilia sofa made by Zalszupin in the 1960s and is still made by the gallery. Lisa claimed at some point: “Whatever the shadow of the earth must be.”
With Carmona’s house and common structure insisting on the capital, four-bedroom, 2,906 square feet home, Lisa and Nelo Augusto’s family, dealing with the main gazebo throughout the large concave, floating over the bushes of the landscape André Aldré Aldré Paoliello. Its horizontal concrete roof cover appears to be on the slats in the area muiracatiara Wood and home windows, in a bathroom set at the back of the house, swirled the scent of eucalyptus trees. Lissa claims that from your house, the sharp sides of the main gazebo are scattered on pale white planes, which “developed into part of the flowers in the early morning on the clouds,” Lissa claims. “Not greater than the cloud, exist cloud. “The only thing you could see at that time was the patriarch’s gable farmhouse, as she showed.
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