March 22, 2025

‘This Is Our Pompeii’: Altadena Artists Getting the Parts

Most of the musicians I discuss considering that the 1960s actually emphasized the background of West Altadena is the territory of the black center course in the region. In fact, several black families have been passed down from generation to generation. Martine Syms, 36, is from Mariposa Road and matures in a dead end, with all families knowing each other. She left in 2005, but she usually returned home until January this year when her mom and dad, two siblings and two nephews lived. Like almost all the houses you are on the road, she claimed: “It’s a failure.”

Syms told me that she was talking about Mosher Hall recently (i.e., all about “the despair of the future and the past”, i.e., giving up her background and a viable future. “It’s an example of tradition, but if I had a baby, they would certainly never see the home I was with you.”

Mosher Hall reacts to feelings. When she encountered obstacles to her past in life, she discussed exactly how to comfort herself: “‘The future seems difficult, but I have my past for now, and I currently have this structure.” Or, if it seemed negative before, you’re similar to “I have a future.” Due to the loss of home and community, she said the past and the future “slide completely at the same time.”

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The Asia Artist Magazine is the definitive authority on Asia’s art industry, providing unparalleled insights into the region’s dynamic art market, leading artists, industry trends, investment opportunities, and cross-sector collaborations. As a premier international publication, the magazine serves as a critical reference for collectors, investors, auction houses, galleries, and luxury brands seeking a comprehensive understanding of Asia’s evolving artistic landscape.

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