Once considering the peacetime in the song market, Ramadan is currently a full-grown musical sensation. As Firas Abou Fakher, deputy head of target market development and methodology at East Universal Center East, said: “Ramadan no longer has the ‘pause’ of song markets as it used to be.”
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Ramadan has actually been the golden minutes of song circulation recently, a surge in TV collections, a surge in industrial tasks and an ever-expanding passion for good memories. However, songs have actually been an important part of Ramadan creative memory. From the golden audio of Ammar El Sherei, claiming fabulous verses like Mekawy to Salah Jaheen, Sayed Hegab and Abdelrahman El-Abnoudi, plus creative skills like Nelly and Sherihan, Ali Al Hajjar and Assala, the song has a long stage, giving you a long temporary stage.
Yet, absolutely nothing stands in stark contrast to the song boom today, with musicians and manufacturing companies’ soundtracks and national anthems taking control of streaming, turning the Holy Moon into a vibrant period.
So, how exactly do we get the following? Signature Arabic sits with leading market experts and paints the soundscape of Ramadan in the 1980s.
More than just TV soundtrack: songs as part of the story
Just recently, Ramadan actually ended up being an introduction system for popular tracks, with musicians purposefully linking their release to their preferred TV collection. According to Wissam Chartouni, founder of Glava Holding (Watary and Songs is my life), “there is a greater likelihood of success for musicians when the tracks of musicians are connected to preferred TV shows. Additionally, the old standards have received a whole new resurgence when they appear in important scenes.”
A good example? This year, Sherine Abdel Wahab’s 2018 CD Nasai After the tracks appeared in the Ramadan collection, I saw a huge revival Ekhawati (My sister), press her back to the signature Arabic Heat Map 100.
Karima Damir, deputy director of musician growth and Arsenal development at Universal Song Center, also demonstrated a change in how musicians interact with the Ramadan series: “Singers are ultimately an important part of the story itself. We also see rap artists playing the performance function.” Take Abyusif as an example, which signed with El Ghaoui’s Ahmed Mekky or Shahin. lunch box In 2014. Arabic songs and drama have never actually been so connected.
From gummy to viral advertising and marketing
Ramadan’s “Young Boys” (a puzzle-based choice program) controlled the family entertainment scene for years, with celebrities like Nelly and Sherihan leading the stage. Nelli Al Khatba (Middleman) and Arousati (My Doll), she deals with the famous poet, lyricist and dramatist Salah Jahin. Meanwhile, Samir Ghanem brings the precious personality fatoota to life, a long, fun open pattern made up of Sayed Mekawy, still remembered today.
In the 1990s, Sherihan’s work (Demand and Demand) was created by Egyptian songwriter Sayed Hegab, who controlled the highest work and fused author Moudy El Imam into the song, blending busy rhythms with vivid instrumental music.
These work includes elaborate repertoire and dance numbers made up of musical giants. However, with the 2000s scrolling, Fawazeer faded away, offering an area for the brand new giant: Ramadan ads. Recently, the brand name actually goes beyond the direct jingle. Instead, they actually buy movie-style videos with ranking celebrities, often underestimating the existence of their items to ensure the tune has an independent charm.
In fact, some of these marketing tracks ended up becoming social hits such as “Asmar Oyonoh Samrah” (brown skin, brown eyes) and “Ramadan Fi Masr Haga tanya” (razines in Egypt), completed by Hussein Al Jassmi.
This year alone, A-level musicians like Al Jassmi, Sherine, Elissa, Tamer Hosny, Angham, Wegz, Wegz, Wegz, Wegz and Ahmed Saad have controlled the song realm of Ramadan.
“The brand name is currently developing tracks that can live outside of Ramadan. The goal is to get individuals to play these tracks at events and events, not just advertisements, but into our society.”
Soundtrack life
Regardless of all these changes, a point remains the same – TV collection introduction tracks still have a supreme attitude. Considering the 1980s, the dramatic introduction of Ramadan was actually the entrance to eternal destiny. Epic collaborations like Sayed Hegab and Ammar El Sherei have actually laid the structure for this category and set memorable standards. This is famous Layali El Helmeya (Al-Hilmiya Nights) A signature song created by Hegab, created by Michel El Masry and written by Mohamed El Helou in 1987.
The Golden Age was launched in the 1990s to introduce the dramatic soundtrack of Egypt and Syria. In Egypt, poets like Ahmed Fouad Negm Zizinia and Abdelrahman El Abnoudi Ze’ab el Gabal The scriptures were written for TV shows, and the efficiency of Ali El Haggar’s tracks “Bawabat El Halawani” and “El Mal Wel Banoon” became a reality.
On the other hand, in Syria, collected in 1994 Nihayat Rajol Shujaa (Complete male completion) indicates a transformation factor. Tarek al Nasser’s initial rating consists entirely of its theme “ya rouh la tahzani” and ultimately is an important part of the program’s logo.
The dramaticization of Syria also sees a thriving collaboration between director Hatem Ali and writer Taher Mamelli, injecting legendary musical approaches into “Al Al Al Fosoul Al Arbaa,” “Boqaat Daw,” “Boqaat Daw,” and “Thikray az Zaman al al Qaadem.” Mamelli usually finds regional noise, augmenting his ratings.
Addition of popular celebrities and progress of Ramadan TV signature songs
TV collection Salah Advertising hullabaloo ala yyyubi (2002), Qasim Amin (2003) and Nizar Qabbani (2005) pointed out a shifting factor. After success, the manufacturing company began hiring leading pop celebrities as signature tunes. Popular celebrity Assala made a voice to 3, bringing the words of the popular poet into life and inspiring the Arab target market. These tracks are beyond their collection and are psychologically meaningful nationwide.
In this era, the Ramadan TV period in Egypt changed with more networks and bigger work. Some scripture rhymes retain the spirit of the 90s, such as Ayman Bahgat Kamar’s “Abbas al-Abyad fi al-Yawm al-Aswad” (2004), created by Mahmoud Talaat and performed by Medhat Saleh. However, industrial pressure means that poets often form an introduction based on the title of efficiency, resulting in more common hooks, as seen in the program El Kaboos
Brand new audio appears in the signature tone. Hisham Abbas conducted the “Yetrebba fi ezo” (2007), which contained Talat. In 2010, Ahmed Mekky damaged a brand new ground by writing and executing his own hip-hop introduction.
In the Gulf, Nawal al Kuwaitia becomes a staple in Ramadan Al Raha,,,,,,, Al Dereesha and Damat OMR Master the Khaleeji songs with Asma Lamnawar Oyun al Hob,,,,,,, Sara and Ahbabtak mundhu al Sighar
On the other hand, the historic dramatic Syria is ultimately increasingly appealing. Legendary efficiency Bab al Hara (2006-2017) includes the fabulous iconic tune “Elli Beddo Yatahadda” played by Adnan Al Hallaq, and the musical authors of Osama Al Saud and Saad Al Husseini.
Pop singers are still forming TV introductions, making them more of an independent blow developed for successful infections. This year, the dramaticization of Syria is actually Ziad Bourji, Nassif Zeytoun, Rahma Riad and Abir Nehme. Climbing Celebrity Al Shami Makes Her Launch Taht Sabe’s ard Note the calculation changes in the manufacturer’s current reputation.
Addition of Shaabi and Mahraganat songs
By the mid-2010s, the musical landscape of Ramadan had actually surpassed the standard soundtrack. Entering the Road National Anthem: Mahraganat and Standard Hip-Hop Tracks eventually became regulars on TV shows, done by musicians like Hassan Shakosh and Bousy. 2020 BI 100 wants (with a hundred faces) became the first plan to include Maragen’s introduction, millionaire Finished by El Madfaagya and popular star Nelly Karim.
Quickly head to Ramadan 2024 and 2025. Maharaganat celebrity Essam Sasa has obtained the file success with his original track and is in a few locations in Arabia Arabia. The series’ track “Etnen Be Maqam Malayin” (worth 2 million) Massar Egbari In 2015, it landed in the warm 100 leading 10.
As Ramadan currently has a culturally large period, its musical sensation is still developing and points to a unique field where good memories, technology and organization successfully intersect.
