Mrs. Dragon is the woman of the street, passive attraction – these long-term Eastern and Southeastern Oriental feminizations have actually been distributed in Europe and the United States for centuries, and among a large number of Westerners, the actual flesh and blood have actually been promoted globally.
The main, perhaps unexpected resources of these allegoricals? Chinese porcelain and porcelain statues first appeared in Europe at sea in the 16th century, and these investors initially used them as ballasts that bring flavor. Individuals snapped up transparent, smooth white products, so they were different from the awkward ceramics they used. They are equally interested in talking about areas, individuals, gods and various other cobalt blue accessories that dream dreams. These products initiated the style of “Chinoiserie”, a decorative design that was until the 19th century furniture, fabrics and artworks, and refreshed Europe in the 19th century.
In the Metropolitan Gallery of Art’s “Frightening Charm”, a fascinating event combines 200 products from the 16th century to the present, including seven modern Oriental and Oriental American women’s work. It is called the “feminist change” of Chinoiserie and requires us to see the objects of these porcelain not only interested in curiosity, but also in the East, especially in the East, and in the cars of enduring racial and social stereotypes. The plan argues that all these innocent people’s pagodas, dragons, bamboos and fashionable women actually have a huge impact on the situation in the West, especially because they are actually so habitual that individuals rarely pay attention to them.
