Everyone is on Prada Express! The fourth edition of the PRADA framework is an annual interdisciplinary workshop with Salone Del Mobile in Milan, recently conducted at the same time as Salone Del Mobile in Milan, and examines one of the most important issues today through a lens of layout and society.
Every year, the Prada Structural Program is curated by Formafantasma, a layout and research seminar established in 2009 by Andrea Trimarchi and Simone Farresin. Their work covers an atmosphere of pure nature and development, dedicated to finding brand new products and social opportunities. Over the past four years, Farresin and Trimarchi’s strategies on the Prada framework have actually abandoned today’s layouts and household goods, and Farresin and Trimarchi’s strategies have actually made progress: In the woodland It is their initial version of 2022 that explores the environmental, social and thoughtful importance of woodland. The following is 2023 Changed products And in 2014 In the house These treatments have found more complex characteristics in substantive, family members and socioeconomic systems. Everyone will solve the problem of love.
Arlecchino train developed by Gio Ponto and Giulio Minoletti develops Prada structure at Milan Layout Week Image: Gregorio Gonella
Arlecchino train developed by Gio Ponto and Giulio Minoletti for interior design of Prada structures in Milan Layout Week Image: Gregorio Gonella
This year’s style, en route, Offering a focus on facility adventures, these systems focus on our lives, striking and inconspicuous. “We are not only interested in discovering exactly how projects are developed, but also, they accurately maintain and relocate systems,” Trimarchi claimed.
The local options talk directly about the topic every year. Previous places include the 19th-century New Lieutenant Gallery and Teatro Filodrammatici in Milan’s earliest theatres. In 2025, the components of the workshop took place on the Arlecchino train developed by Gio Ponti and Giulio Minoletti, which was post-war Italy and La Dolce Vita Lifestyle, while various other settlements remain in the royal structure of the dock, it is a waiting space for royal members and presidential participants. “These are not only areas of the story, but also components of the story,” Trimic claims. “They show our interest in mobility and facilities, not only abstract concepts, but also spatial, historical and secular truths. We want individuals to truly feel the system we are censoring.”
Trimarchi describes In the house They didn’t provide aesthetic help for the seminar – every little thing was centered on the audio speakers in the room. “This choice inspired emotion and focused entirely on the exchange of concepts, which compared to the very aesthetic, image-driven nature of many occasions throughout Salone,” he claimed.
