Ikimonogakari recently released their 11th full CD Asobi (” Play”). After that, their previous CDs started. Malu Considering the initial duo, Kiyoe Yoshioka and Mizuno Yoshiki Mizuno’s first collection: their initial efficiency abroad, their initial acoustic efficiency in the Gothic style, and their initial acoustic performance journey. In addition to the previously released songs, the CD includes a brand new track “Irodori” and deals with musicians like Humbert Humbert, Fox Capture Strategy, Nao Matsushita and “Yu Asobi.” The motivational track consists of “Koisuru Otome – First Photo” which has caused a sensation on social media sites. The tunes on the CD are projects for duo, free, enjoy and play alone loaded.
Signboard Japan reviews 2 brand new CDs, their second “initial” starts with a brand new band.
First, allow discussions about what you are doing overseas. In June 2024, the 35th Golden Melody Honors you retained in Taiwan will be executed, and in July, the Tencent Song Entertainment Honors You are executed in Macau. How is the response?
Mizino: I was shocked by this huge “Whoooooaaa!”
Yoshioka: The tone and joy of the target market are completely different from the basis of the target market in Japan. In some cases, my voice sings applauds.
Mizuno: When I produce a guitar alone, there is also a kind of joy of “Whoooooaa!”.
Yoshioka: The target market does incorporate their feelings and reactions directly into their voices.
Which track gets the biggest response?
Mijino: “Blue Bird.” Individuals overseas have actually heard a lot of key points, and it seems that the target market understands this.
Yoshioka: When we do folk music like “Sakura”, the entire target market is also persuading. Despite the language barrier, the feeling of this song will certainly be encountered equally, which really satisfy me.
After doing it overseas, you have completed a brand new CD, Asobi Given the last CD Malu In fact, you are already active in online efficiency, such as Chinese efficiency and launching a brand new music. You have a lot of timetables right now. Memories, do you still remember this duration?
Mizuno: After release Malu We do have time to really focus on online efficiency. We took an efficiency hall tour, participated in many activities, and brought acoustic efficiency to Buddhists. There are several possibilities we have to play in the target market and promote us every day. This has had a positive impact on our songwriting and I think there are actually a lot of adjustments inside us. I also satisfied all kinds of individuals through my Hiroba Job and launched a CD, which was an amazing experience. I have the ability to bring this experience back to Ikimonogakari. Sho Hasumi of DAW90000 created Scripture for me (on “Anohi no Koto Satisfaction Sho Hasumi”) and I have the courage to connect with personal connections outside our circle. Yoshioka likes it very much, too.
Yoshioka: Mizuno, the head of Ikimonogakari, will actively recommend brand new points we have never tried, such as doing them with two people at the same stage. At first, I was really worried that no matter how slow I was, I started to make some brand new perspectives. Of course, there are a lot of experiments, which is really difficult, but the production procedures really affect my interests.
Various other designer-created music on the CD (“Jigazou meets your Asobi meets” and “Anohi no Koto meets Sho Hasumi”). That was a passionate choice.
Mizuno: I think it’s about people 7 or 8 years ago, and we consulted our people and I said, “Suppose I have someone who makes some scriptures for us?” Our supervisor at the time said, “Don’t you think you should make scriptures yourself?” At the time, it gave a big feeling, and I was similar to “You’re right,” the years since have actually passed, and we’ve actually had all kinds of brand new experiences. In fact, we see the revision as a favorable point related to individuals outside the team. At the moment, we are really safe and if it is also ostensibly necessary to complete it, then the result of completion is definitely the ideal Ikimonogakari.
Yoshioka: Even though I was really worried at first (laughs). But when Mizuno says “I want to ask someone else to write verses”, it’s really all-natural, so I think it’s a good one like “I think it’s going to be great for sure”. Everyone in the group likes to “allow it to be given once.”
If others create scriptures, the words will surely match the song in various ways.
Yoshioka: Yes. I kept the vocal sing of Mizuno, which showed off the songs of Mizuno, so I actually created something I wanted to call familiar. After recording, I realized that these practices need to be eliminated when singing. Songs like me are purely natural.
Mizuno: You do the exercises, or maybe the shadows, and I hope that by changing that shadow, we will certainly create something completely new. Considering we are teenagers, we are actually mature with each other, I’ve actually been dealing with Yoshioka. Yoshioka’s vocal singing method is actually part of me, and my tune and (Hotaka) Yamashita’s tune actually ended up becoming part of Yoshioka. So when you sing verses that do not belong, you will find yourself unable to sing (laughs). I seem to be interested in my tune. It is pleasant to take care of this obstacle with Hasumi verses and Yu Asobi verses.
What’s behind CD title Asobi?
Mizuno: I seem to be the process of developing our last CD, Malu Very patient. Fortunately, we have a lot of companion music and a lot of choices in this CD. The context of each track is equally completely different, so it is a challenge for us to take a principle that can fully connect them. When the discussion turns to seeing rich CDs in a favorable view, we are considering various opportunities rather than trying to put anything in a box. The concept of “play” (in Japanese, “Asobi”) is spread during the discussion.
Yoshioka: Yes.
Mizuno: Given the concept of this title, Asobi I recommend creating music with outdoor musicians. Several musicians participated Meet Ikimonogakari (A common CD in which 12 musicians shed light on the tunes of Ikimonogakari in a completely new approach) This time I hope we “see” them.
Yoshioka: Everyone was very excited when the word “play” appeared. The entire space has been brightened. It seems we are moving forward because the instructions and we will surely think of some advantages. As Mijino said, development Malu This is a very powerful process, and it seems to be the CD, we can enter a completely different description. When we develop brand new CDs, we keep this fascinating principle in mind.
After starting a new phase, this is called the second “initial start” and it is indeed full of tunes in a brand new art direction. You feel your production Asobi Will it affect your future work?
Mizuno: In the past 4 to 5 years, there have been many big occasions in our lives. Our disagreement with the capability company, one participant left, Yoshioka brought the young people to life. Much of our music is formed from our stories. In 2024, we seem to really focus on the song itself and have had a great time doing and video scheduling online. Actually, we’ve gone through a lot of courses and I think at the moment we are really able to focus on “the singer I need to sing,” “the songwriter I need to create” and “the musician we need to work with each other.” In fact, we have been a long way back to where we started, where we can progress from. I hope a large number of people follow our brand new CDs, directly, and I am happy to look forward to the future.
Yoshioka: As I pointed out before, we deal with some difficulties, such as dancing in Colombia, just duo or doing road efficiency. We’ve actually worked with several musicians. In fact, we’ve been trying brand new points, which is typical for us. I think we’ve actually made a great CD and I seem to be keeping it with a brand new perspective in the future. In the past, I’ve actually been worried about brand new points (laughs), but I’m starting to see the joy of dealing with brand new difficulties. I’m glad we have the ability to open this door with a brand new instruction.
– Tomoyuki Mori’s meeting appeared on Japanese signboards for the first time