Participants of King GNU talked with Japan’s signature Chatt, a regular monthly collection of existing pop musicians and work. The current preferred four-person band “Gold!” was created as the iconic tune of “big anime movie” Investigation Conan: Recall It was deleted electronically on April 18.
In 2014, the band “Specialz” first marked “Best Unidentified” background five-person landscape tour on the Kings Gnu Dome Trip, attracting 380,000 individuals. Soon after, the quartet began its first trip to Taipei, Singapore, Shanghai and Seoul to add to its frustrating company outside its home country.
The band’s new lonely career emerges in the current flashing current flicker changes Investigate Conan Anime is also very popular in the context of popular signature songs. “Golden!!!” Merges’ 80s synthesizer and African-style grooves produce danceable tracks that can be straight into amazing live streams. 4 participants – Daiki Tsuneta, Yu Seki, Kazuki Arai and Satoru Iguchi – Talking about the brand new lonely organization The biggest unknown
Initially, please let us know your gnu gnu Livehouse Scenic Tour 2025 Club GNU version, ranging from February to March. Most track efficiency of CD event and The biggest unknown Most likely to be in the arena size or larger place, so a whole new gain or understanding exists in the club atmosphere?
Kazuki Arai (Bass): The target market is actually very close to us, so I think there is more pressure due to this situation. We can really feel the interest in the target market directly without churn, which reflects this in our efficiency and efficiency. However, our dome tour was followed by Asian tours to make sure that it was not claimed that we immediately fell in a club-sized place, like we did the entrance hall throughout the Eastern expedition, which has been a long time since, so it was a stable surgery.
Satoru Iguchi (vocals/keyboard): The Seoul show actually has a wonderful environment throughout the scenic tour of the East, so we think we see this in Japan in exactly the same dimension in Japan. The group in Seoul sang a lot and applauded in the noise. This is not to say that our followers in Japan are not full of energy, but they don’t want to, which is exactly what Japanese tend to do. So, about our Residential Followers Club Trip, we do wish we could get that power again.
Mr. Tsuneta, it seems that you can proactively promote your target market in many cases.
Daiki Tsuneta (guitar/vocal): There is absolutely nothing pleasant when individuals are just following you. This real-time efficiency is worthless, and it is my standard feeling. The level of strength we have in the day depends on whether we get the action or otherwise to make sure we look like another band.
Your brand new tune, “Golden!!!” is the iconic tune of a flick Investigation Conan: Recall. Given that young people and have actually enjoyed it for a long time, this has actually aired a job that has actually been broadcasting.
Igic: Yes. I actually watched anime.
Tsuneta: I use it to review comics.
Yu Seki (drum): In the flash, I like it Investigation of Conan: Ancient Resource Crossing
What is the response when you reveal your companion?
Alai: I have close friends who are followers and when I inform them directly, they will be frightened. They were similar to “Great!” A large number of people called me, so, took a lot of action directly.
The film is located in Nagano Prefecture, where Mr. Tsuneta and Mr. Iguchi come from.
Arai: Do you feel it when you see home?
Igic: Yes, I did it. Yatsugatake (Hill) and Zenkoji (Holy Place) appear in the flick.
What kind of tracks do you think of when you first start writing when you eavesdrop on the movie’s iconic tunes?
Tsuneta: Directly, when I was asked to create a track for an anime show, vocal singing itself wasn’t for me. Since when we play live, I would claim, “Is that the song?” I wouldn’t like it. I safely think that the song needs to be our tune. In this sense, I don’t specifically cover any type of personality, but a global idea Investigate Conan I feel the flick there, so I think the most important thing is to maintain a common sense of range. I actually know this given the opening of “Specialz” (the story of Shibuya’s appearance Jujutsu Kaisen). Although I definitely hope it overlaps with the anime too.
Alai: I’m thinking about something comparable. like Dunk During this period, the animation track has nothing to do with the online content of the work itself. Do you know it?
Tsuneta: I recognize words that reverberate with the target market, but please don’t over-lower them. I actually need to remember that when we play in a band, the song needs to be trustworthy.
I think the noise is a brand new beginning for King GNU, for example, the synthesizer has an 80s feel. Do you have a clear understanding of the work in the experimental stage?
Tsuneta: Yes, I actually like the 80s feeling. The possibility I use to change the song is greater, and the nightclub environment is not what I do. Now that I’m at this age, I’m starting to like this song because I think it’s rejuvenating in various ways.
Have you encountered any type of specific job that triggers this interest rate?
Tsuneta: Weeknd, Daft Punk, I’ve actually been hoping to try something comparable.
What is your impression of the discussion?
Seki: It has an African feel, but I seem to want to move to the direction indicated by the city (charming). I discovered this challenge directly because it wasn’t in my card.
Tsuneta: The beat is definitely for Africa. I think this is very challenging for our target market. They may be hard to enjoy.
Seki: However, when I was following the ending, I believe we cleaned up in a good area.
Tsuneta: It has a mixed feeling, doesn’t it?
The choir also quotes the Jacket Club.
Seki: Yes, that’s right. We do slip against the backdrop of club songs. However, until the four people have fun with each other, we really have no choice to do anything. We just briefly said examples, such as “Let’s number the entire wedding rehearsal.” This is the completion of a brand new tune from King GNU. We really don’t recognize where we’re most likely to accomplish, so we just prepared the examples and sat down and figured out the examples. Everything seems to work to some extent.
Arai: It runs, really doesn’t it? Exactly the same choice “Asura”
Seki: “Asura and “Ikaros” both work.
Mention it: “Asura is one of the tracks that change in real-time programs.
Alai: It seems this time.
Seki: I think I’m more comfortable with these tools. I used a digital drum for this.
I know. Where is the bass?
Arai: Beth at some point repeated the grooves and subtleties that Daiki actually contained in the experiment. We tried many steps but agreed that it would be better if we could listen to the bass with the beat. We usually just come up with the key points that everyone wants to do, but this time, I think we have more knowledge about placement (bass and drums) than the various other tracks. Throughout the speech phase, the subtleties of the (Tsuneta) are currently obvious, so we walk and calm down. Our technology is to make it utilize very little bass noise.
Seki: It can be unpleasant or challenging to do something like that considering we are a band, but I do intend to provide a shot for it. I found some of the preferred foreign tracks with bass guitar and bass drum characteristics.
Tsuneta: I insist that it would be much better if (the bass and the drums) weren’t split. When the band makes this song, they are usually different, but in traditional songs today, they are similar, so that’s what I’m going to try. “Nekko” is the exact reversal, and each participant plays his own duties like a band, which I kind of hate. Naturally, both have their own benefits, and we’ll split them into real-time plans, but I think we can try to do something similar in manufacturing.
This is also an extension of your manufacturing design The biggest unknown Isn’t it?
Tsuneta: Yes. I have to be related to “Specialz” and “Asura” and understand that no band makes this noise. My existing mindset is to seek it more.
How is the singing recording process?
Iguchi: I have a lot of overtones in my voice, so the auto-adjustment isn’t that great, and it took me a while to find a great area. It took me a while to use the rhythm settings. So it was a hurdle, but we recently started practicing and I ended up getting it and hoped to record it again. I think I can sing much more at the moment.
Tsuneta: Do you suggest you are creating it?
igic: Yes, mainly.
Arai: Daiki also claimed: “I should record guitar records.”
Tsuneta: I included some guitars in my real-time plan and thought it looked great.
Seki: This actually happened a lot with this band. After real-time playback, the tune changes again.
Igic: Yes.
Tsuneta: The extreme few tracks are the initial recordings.
You keep upgrading them.
Tsuneta: So over time, if we had high-end wedding rehearsals and after the tape, it would definitely be great. If we initially try to type them and then record them based on the tape, we can make them better.
Seki: That will surely make them the true GNU kings.
Alai: Yes, make them purer.
We hope you will have a future song.
Tsuneta: I think the following is a piece of music in a completely different style, so I can’t wait to start it. It may help individuals to better recognize this.
I know. Is it “Gold!!!” feel, the band’s setting in the song?
Tsuneta: In one element, it is quite symbolic, but only in one element. We’ll definitely launch more new tracks, which will surely be obvious afterwards.
Iguchi: I think all 4 people are rooted in more at the moment.
Therefore, your songs also show your personal growth.
Tsuneta: I suggest that Kazuki is lifting a young man up and we are done when it makes sense.
In this sense, your life takes more root.
Tsuneta: Yes. I intend to encounter this fact in the way we produce things and functions.
– Takuto Ueda’s meeting and Maiko Murata’s message first appeared on Japanese signboards
