Yulia Mahr: Because Max provides this perfume service, I find that many aspects of his use are not only a crucial part of his life, but not just a pencil-like life, but also throughout his work and childhood. What I love about this smell is that when you are related to it, you can smell all the smells. There is no doubt that you can receive notes for all these clips of his life.
Max, do you know if perfumes will also appear before them when the piano is on?
MR: I think, yes, they are somehow important parts of my planet. You open the piano and you get cedar. You stay in the area with the band and you can smell the pine scent[for treating bows] This is a very 360-degree experience. I hope something better is our area. Our workshops are still left in the wood, so there is a lot of natural things out there. It was an effort to make a comprehensive thing that shares my current location and where we are in the seminar.
Why do this at the moment?
MR: I think celebrities are already lined up. This concept is something I’ve actually brought to for a long time. I know Adrian, they used a few of my songs before they had another job and had a link feel. We had lunch with each other, we discussed other than aroma, we were exercising. There is no doubt that this is a part of the light.
Among all the viable perfume partners you will end up with Comme des Garçons, which is called more theoretical.
MR: Yuria and I have always loved their stuff. I use black pepper, excellent eco-friendly and Commedes Garçons2. Indeed, this is a brainless one. They are an imaginative dress. They have this independence, creativity and enthusiasm.
What is the discussion coming after dealing with Christian and Giram?
MR: Very easy. I just gave him some ideas to start and he made a series of choices. After that, we just focused and removed things that we didn’t actually rely on too much, which made the versioning process very quickly. I think this is 3 or 4 versions.
