Japanese backup rock band Kroi knocked down a brand new loneliness called “Advance” on July 16. Sacmato Day and “Clay” – valid numbers that show the nature and future description of the five-person band.
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Participants sat down on Japanese signs and opened the current version of “Style Flexible Band”.
Recently, KROI has actually been actively carried out outside of Japan. Just recently, you’ve planned a major retreat in Brighton, England in May, throughout the 2014 Unspoil Scenic Tour, you’ve had a plan in Taipei. What have you gained from your experience abroad?
Masanori Seki (Bachelor’s Degree): We want to meet us in a wide range of target markets. Apart from Japan, it is possible that until now we will have the most significant impact on the target markets of Taiwan, South Korea, the United States and the United Kingdom. The show sees that society is completely different in Japan. Some people make banners and swing banners throughout the program, and our tracks have round openings that are unthinkable. Individuals will appreciate themselves as if they view the performance as a gathering place. That was my social impact.
Yuki Hasebe (Gt.): This is not limited to real-time efficiency, but when I talk to the individuals there, there are plenty of minutes to evaluate something by whether it is “great or negative” rather than “experienced or vulnerable.” It’s similar to: “Okay, they messed up, but it has a spacious vibe, so we’ll take advantage of it.” I found something interesting in the way of faith, which was a pleasure for me.
Daiki Chiba (secret): I believe there is a difference across the country throughout the recording. The song may reflect the difference between the way an individual makes a living and the basic way of living in each field. And how ideal perspectives depend on individuals. The workshop we used in the UK happened to be the one used by (Japanese guitarist) Tomoyasu Hoteli. Apparently, he recorded a lot of videos there, and I believe this is partly due to the great noise, partly because he likes how to complete the points.
Hidetomo Masuda (Dr): We did some recordings with manufacturers in the UK. In Japan, recording is similar to “making reasonable repetitions”, but in the UK, it is similar to tracks we create with each other while recording. It was a brand new experience. It’s more positive and pleasant than Japan and I hope to use it home.
Uchida-san, do you have any form of conception about vocal singing in various languages?
Leo Uchida (vo.): It seems like I’m getting closer and closer to my goal. Naturally, when I write verses, I focus on the power of words, but I belong to something like that I want to get the resonance I get from the western songs I speak from junior high school. Despite the language barrier, I want to interact with individuals who do not recognize words through noise, vibration and grooves. It approaches this feeling when we execute countries that do not speak regional languages. This is extremely basic. It does feel like we are “composing songs”. I have a better understanding of the information about work when I sing while highlighting the verses, but when we execute positions with language barriers, it passes through noise habits, for example, “This is what our band looks like.” It’s enjoyable.
This is a more basic means of interaction.
Uchida: I really feel the power of the song. Ability to connect with each other through noise. I seem to understand us when I get a reliable response from my target market. I was surprised every time because if we didn’t know each other’s language, we would also interact through songs.
The band launched its latest “Method for Solitary” on July 16. As they represent a whole new aspect of the band’s creative thinking, both the title track and the track “Clay” are very important. I want to ask you about “approach”, the opening of anime collection Sacmato Day Mr. Uchida, you said that when writing tracks from various other jobs, you look for overlapping elements between that assignment and the KROI expression. What is the overlap between the two Sacmato Day And the band?
Uchida: This song is for Sacmato Day“Issue 2, “Arc of Death”, the intensification of combat, the comparison between daily scenes and battle scenes eventually became more obvious. Personality is called Shin Asakura, and the scene where he built a whole new power. It builds a whole new power. It builds a whole new power. It still is in battle, and when I occasionally see, we will see, we will be in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places, in some places,
You are still peaceful and just.
Uchida: However, my consciousness immediately recovered, and after that, I knew I was gaining a connection to what was happening in the stage. I feel that this way, the feeling of rising in battle is comparable.
I know. So, “Kimi no Me, Sorasanaikara Zutto” (“I will never allow you to avoid”), this happens in what you call the following consciousness.
Uchida: Right. “You” can be anyone or anyone. exist Sacmato Day This could be a family member of the protagonist Sakamoto whom he was trying to block, or for me the scriptures might overlap with my yearnings to participate in the location again and every time I think, “I wish I could really feel this today.” I actually created it to make sure it has multiple definitions, not just twice as much. So when I start paying attention to this track from now on, I believe the definition of “you” will certainly change. I write tracks to make sure that over time they can see their entirely new faces to make sure they expand like animals.
Have you experienced this increased awareness of the whole recording or efficiency?
Hasby: I have it. The target market environment is in one area, there are all kinds of environments in Japan, and when the power of the group matches our wavelengths, I really hope the program will certainly never be completed.
The tune and noise of “technology” also stimulates the understanding of what you actually call “enter position.”
Uchida: The important thing this time is that we really don’t have much noise besides the noise played by the band. Normally, we definitely organize it on the recording and we can’t really loop with 5 of us, like the split synth on Chiba’s Twin-Flash piano or the percussion and trumpet on my guitar track. However, this time, it’s extremely literal, and we focus on the sounds that come from each other. Not a lot of tracks there?
Chiba: Yes, in stark contrast to our average songs. When we were doing the video, we tried not to do anything that wasn’t needed because it was a worrying track with a few notes on it.
Uchida: So this time, it’s really like “the allowed document Kroi is near its real scene”. We used anime pairing, so the difficulty was: “How do we form an anime bottle screw that needs to thrill the target market with verses, work and settings without strengthening (over) the noise?” I believe the noise will capture Kroi’s basic ability to reveal itself and be able to enter the location by itself.
This may be part of the anime bottle screw changes, but the midfield time and hand-opening of body organs is really great.
Chiba: This component does not include changes in anime, but when looking back on the spirit and funk, the body organs cannot be ignored, do you understand? I think it’s currently revealed in 2025 and J-Pop anime numbers that are elegant.
Also, the repertoire of the lonely “Clay” seems to be a big number for the band, composed of scriptures.
Uchida: I believe “clay” is an important repertoire for the band. Sometimes I get a glimpse of the palette-like tracks that everyone writes. Do you understand that the plan of a great painter himself is ultimately a work of art? That’s it. KROI pops up all the shadows to make tracks on this scheme and start it because of the state. [Laughs] That’s why I believe this track will definitely lead to the following tracks. It’s not about the musicality of the number, but KROI will certainly choose from the balance of every aspect of the band. It’s a tune full of hope.
Therefore, “clay” covers the future of KROI.
Uchida: Yes. It’s great that we can start a track like this.
– Fumiaki Amano’s meeting appears on Japanese sign for the first time
