DENTAL CIGARETTES Meeting on ‘OVERNIGHT,’ the Opener of ‘Tougen Anki’

Takuya Yamanaka (vocals and guitar): Main personality Tougen Anki: The Story of Cursed Blood At first, a pure, effective hope becomes a craving for food (a man named “Oni” hero, but after that, he finds himself indeed an integral part of Oni. Although he can’t understand his desire to be Mumbai, he also looks deeper, and he also desires to claim his own wishes, but his wishes are your own wishes, but he has to do something to the point of his destiny, but he does not do anything. Desire, but how to understand them and attach himself to them.

Have some components of this story echoed with you?

Yamanaka: Yes. As a host of a band, when you change from standalone document labels to important document bands, you consider your suitable items and how to take care of them. When I initially started to be curious about bands and songs, there was no doubt that my fit items were pure, but the desire was so solid that I undermined the high quality of nature. I’m just thinking about how my intentions are being seen by others. Over time, these applicable things become less pure. So I took this directly and it’s still something I’m still repairing. With this track, it seems that I am guiding myself to write these scriptures, especially in The Last Ode.

I’m sure this will certainly attract a large following: “kyouran hello youngters!” signature tune Noragami Aragoto. This is “kyouran Hey, young man!” When you develop “the whole evening” something goes into your mind?

Yamanaka: Everyone expects us to do something that will certainly surpass “Kyouran Hehe Youngster!”! And, naturally, we want to make progress. When we made “kyouran hello young man!” we made an audio photo, which was hard for us. We also take advantage of various other key points that have actually been discovered over the past few years, such as song concepts. We are similar to “allowing them to have it in the first place”.

As you might expect, the bass line of this track is excellent.

Akira Akirakani (Bass and Ode): I had fun on a result pedal called filters, and we slowly turned it on in audio manufacturing. “The bass at the beginning is crucial,” Takuya claims. I intend to really focus on audio manufacturing, so we also made some tweaks after the mixing.

Yamanaka: The whole process was very interesting. Initially, I went to the trial and told Shige (Suzuki): “I want to put a main guitar. I plan to work together?” I want to keep in mind, such as “I want to put scratches here”, such as “I want to put scratches here”.

Shigenobu Suzuki (guitar): I have skillfully made guitar lines and tried a variety of tones of this track. Yuki (Tsujimura) helps with preparation. If it were just me, you might not assume that guitar tone was very big, but you could clearly listen to the expressions of the guitar. So far I often tend to lever the result pedal with the pedal like “Use this result”, however, for this song, I’ve actually tried a lot of various results.

Akira: As you claim, the components of the bass series are self-compatible with “Kyouran Hey heypers!”. The timing is ideal – this great track, the coolest song we actually wrote, is part of the collaboration. It’s similar to “thrive!” So I want to take advantage of all the methods and methods.

How did your technology change ten years ago?

Akira: I totally count on the rest of the current band. The four people each other acquired and formed the “Young Man, Kyloran Hey!” During the seminar, “The All Night” was created quickly mainly in Takuya and Shige. At that time, if one claimed “this guitar expression is very important”, I might claim, “persis continues, I will create a cooler expression!” At the moment, it’s all sorts. I’ve actually turned to thinking about how to play expressions in the most efficient way.

Masaya Nakanishi (drum): For drum sounds, the track is actually a little sleek after the demo is done, so the description of the drum is very obvious at the moment. I want to be careful not to mess up the atmosphere of their development. For drummers, the cooler the track, you want to try all kinds of things. However, I thought about how we will certainly place this track in the future and I know I want the target market to focus on vocal singing. That’s why I think this is ideal for not having to do with drums. I kind of support it and use a truly all-natural technology. However, I also occasionally sprayed some complicated stuff, really wishing all kinds of other drummers could see it.

I eagerly expect to see the reaction of the target market. You also have a large number of overseas followers. Have you encountered one side of the Follower Base many times during your daily tasks?

Yamanaka: Usually. Our YouTube video clips are filled with speeches from foreign audiences. We don’t have a lot of opportunities to play overseas, but I want our international followers to understand that we’ve actually read the evaluations they’re actually considering regularly. I think a lot of people found us through “kyouran hello youngters!”! I see it covering a lot. This makes me very happy that if the repertoire has special Japanese music and Japanese verses, it will reverberate with individuals from various societies and is also willing to cover it up. I think a lot of our overseas followers are anime followers, so if they listen to “one night” and think about it, “this is open to it Tougen Anki: The Story of Cursed Blood marvelous! “After that, we will definitely be very happy.

Akira: Yes, I want to play a show in the United States.

Yamanaka: My siblings have been in the United States for a long time and eventually he stayed in the bar, with the person next to him similar to “Are you Japanese? Do you know this musician?” At the end, he was asking about speaking. My siblings claimed he boasted, “Yes, I am the sibling of this person” (laughs).

Suzuki: I’m sure the person I asked was great (laugh). Actually, we get a lot of YouTube reviews in Spanish, so I also want to play in Latin America. I listened to it, there are many anime activities in Latin America, and I recognize that some people go there to play, so I listened to it, some countries are not just people like Japanese songs and anime, but the country itself. Everyone is experiencing their own society, so ultimately I hope we actually go there.

Nakanishi: Given that I started traveling abroad, I have actually learned more about the great countries in various countries. I was really happy when I saw these remarks from target markets abroad. I’m similar to “Oh, we actually got speech from one person because of the nation.” Or “Wow, they’re far away, but they’re thinking about what we’re doing.” I naturally want to play in the country where our followers live, but I also think it makes sense to go to our songs and the country where society is.

– Chinami Hachisuka’s meeting appeared on Japanese signboard for the first time