The Criminals’ John Fossitt Talks Band’s Prospective

John Fossitt is the host of the rogue, Bruno Mars aid band and live show. In February, “Spiritual Warm” performed its first scenic spot in the United States Psychological fans travel first 2025 Fossitt is the song director for band J-POP, real-time efficiency planning and keyboardist. After that, in June, when they did this in Tokyo, he brought the target market with the band. Japanese Spiritual Hot Travel in 2025 “Progress”

Signature Japan talks with John about how he views the mental heat.

Initially, can you inform us exactly how we first discovered the mental heat?

A year ago, their supervisor introduced me to me. Until then, I really didn’t understand LDH tags or mental warmth, so here’s my LDH introduction. I ended up being very knowledgeable about their songs and details and what they were trying to do, which reverberated me. That’s how I join their live music structure.

When you first understand spiritual warmth, will they make the most impact on you?

I really feel that Japanese society has accepted the view that failed to remember the United States. The spiritual warmth suggested to me the R&Bs of the 90s and early 2000s. If you return to the American Boys background, go back to the very early version of the R&B team, and then categorize it into Boyz II Males and Jodeci, the Psychological Heat will provide these R&B components. If you’ve participated in early pop bands like Backstreet Boys and Nsync, their high power dance and incredible pop experiences, these components are spiritual warmth. They are eternal, but they are still examining the future form of the kids band.

So, spiritual fanaticism naturally has various benefits, including their songs.

Correct. The power of spiritual warmth is that they all have their own special personalities. I believe this is the case with the entire earth. I believe some kid bands want a very consistent look. However, after that, you consider the spiritual warmth, they have 50% Moroccan, a half-mountain participant, a half-Nigerian, a half-year participant, a man in a stetson… they all have their own personalities. This shows global diversity. The participants are humans, but they integrate to create a natural team. I believe this is just one of their important benefits.

Each participant has its own excellent characteristics, but are you like participants?

I believe they all have something very special. It’s like Jimmy’s look, but he has that voice, and after that, Kokoro is an amazing singer. If you can put everyone with each other, it’s definitely a superhero (laughs). They are all the reality that people make them supergroups.

You’ve actually worked with the world-renowned Bruno Mars. As long as this happens, what aspects do you think they can improve and thus bring them greater international results?

When dealing with Bruno, the important thing I found is the importance of having a unique purpose. Obviously, it’s music, it’s video making, you think the target market – every one needs to be done intentionally. You need to think clearly about what you want your followers to really feel, and the stories you want the target market to understand, and you need to dream and goal. I believe that having this vision will definitely help with spiritual warmth. They need to specify their logos and establish their certainty besides all the other songs around them, which is what makes them globally suitable. If they do, they can share their global aspirations about psychological warmth, LDH and Japan as a whole.

I understand. As a result, they have excellent developmental capabilities. You have fun with them in Los Angeles on a scenic tour in the United States. What impact do you have on efficiency?

Initially, I had the chance to see them do it in NYC and I offered some advice. I tell them that if you want to do something in the target market, you need to show it to them. If you want them to slap in the face, you should reveal them by complimenting them. If you want them to swing their hands, swing yourself. You should verify the purpose of my past discussions. They have made a lot of progress in their efficiency in Los Angeles and I can see them expanding. They held an amazing program that gave the entire group an impressive power to each other. You will also see a large number of followers starting to follow them from planning to travel. There are a lot of followers who can do a lot of planning that you think they are most likely to visit with the band. I believe the reality that they have produced this follower base shows that they are moving towards success.

So are these followers Japanese or American?

Well, with Bruno, our followers range from 90 to 90. This is a great base for followers. When you get the sustainability of musicians with individuals. With the efficiency of mental heat, I also saw the same feeling. There are young people and older followers. There are Oriental and Latino followers. All of these various societies cooperate. I remember that these female followers of the neighborhood began to settle for Kokoro while singing Acapella’s solo section. You have all these people from all societies enjoying Japanese children’s bands in the United States, echoing the band’s songs and dances, which is impressive.

You’ve actually seen how efficient Bruno is next to you. Do you think this makes him a leading musician in the world?

He discovered a lot. He examines great men and lays the structure of the work we do. He also revealed to us how to find out. For example, we will certainly see video clips from James Brown or Michael Jackson and think exactly how to generate the group feedback we want. Despite designs, songs are global, so there are often a lot to find out.

Therefore, the research method is in touch with what you said in the past. Back to the spiritual popularity, how did you add real-time, efficient sound manufacturing to a scenic tour in the United States?

Actually, I’ve been in touch with the supervisor of psychological heat, which tells me about their attention to the United States in November. We talked about how I would definitely include it, but it was hard for us to point it out. So, I said, “Allowing to ignore trying to figure this out. I’m most likely in Japan, and we’re most likely to figure it out from there.” In Japan, in addition to audio designers, I also met the needs of Jimmy and many other spiritual fashion participants, we attended workshops, developed and included tracks. Between each other, we have actually run a way to bring these tracks to life while playing in real time.

I heard you were surgery at the workshop with Jimmy and Ryoga (Nakanishi). What kind of communication do you have?

I’m an artist, but when I serve the innovative description of the show, I need not only to consider songs – vocal singing and audio, but, including all the key points of dance. You can’t see the song, you really feel the song, but dancing is what the song looks like. To develop the best procedures, you need to consider chemistry. I really don’t understand what I found about dance so I was a little lost, but Jimmy and Riga are excellent professional dancers, so they shared their thoughts from the perspective of professional dancers. They do tell me what they are most likely to do, so we interact to discover the happy medium between songs and dancing. They are the actual lifeguards.

What do they suggest to you after approaching them?

They have this desire to discover and have many wishes. They also skillfully adapted to what they actually found and used what I guided them to improve their efficiency. They are mild. Of course I want to deal with them. They are excellent musicians. Maybe I can end up being the eighth participant? (laugh)

By the end, can you share the hope that you want to see a spiritually warm musician?

I believe they can be international superstars. They may be the plans it implies in Japan and boom, becoming the leader that the J-Pop Kid band can and should be. LDH has a great system to train musicians dedicated to helping their musicians expand. If the mental heat is actually working hard and taking advantage of this great atmosphere, I think their possibilities will certainly happen. I believe they will certainly be important in the next few years. I actually long to see the future they offer them.

– Azusa Takahashi Conference appears on Japanese signboard for the first time