Dance Music Week: King Kaitranada releases his fourth studio album Shouldn’t dieOne item he said was “strictly for exercise, dancing and learning, my lovers love dancing.”
We caught up with Sophie Ellis-Bextor, who talked about her new album and the new Renaissance of her 2001 single “Murder On Dancefloor.” She said in the story: “Thanks to the murder, I basically just wrote a wish list and I completely took advantage of the fact that I could go to the studio with people I probably didn’t have. [otherwise] Have time. transparent
Meanwhile, disco queen Gloria Gaynor was named one of the winners of the Kennedy Center for 2025, which is a different view’Sana Navarro urged Gaynor to refuse, writing: “Women are goddesses and deserve all her flowers. But I hope she won’t accept the rewards of attacking women, people of color and men of LGBTQ’s rights and history.”
New Charli XCX Billboard About the cover story of the latter artist, the current financial situation of Burning Man’s CEO provides the latest information about the Icelandic Eclipse Festival next August at an event in Nevada.
Finally, these are the best new dance songs of the week.
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Ape Drum and Jami, “111”
Major Lazer’s Ape Drum has won honors on Blackpink’s recent comeback single “Jump” in a fiery winning streak, and is now thriving with Berlin artist Jamiie. Their “111” is also free, and the production of African technology contains hypnotic appeal as well as some truly innovative production elements, so be sure to listen to good headphones. The track can promote its lineage, and as long as it is luxurious when it is watched for nearly four minutes, it is aired by A-Listers, including Black Coffee, Steve Angello and Damian Lazarus.
“111” on VOD. Listen here.
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Ted, “Desire/Echo”
The artist, formerly known as the “completely giant extinct dinosaur”, is now officially released in the era of new singles. The artist’s first new music since 2022, Desire, is a moody psychological electronic pop that craves desires, and “Echo” is a lush brain dance. “Producing and distributing music is a kind of hope,” said artist Orlando Higginbottom. “Hope is resistance.” What we want to say is to make these calls.
“Desire/Echo” appears at a very high age. Listen here.
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Jon Casey and Peekaboo, “Go!”
South African producer Jon Casey gives up on his six-track EP Very happy to be here Today, the project comes with Troyboi, Karan! And more. Peekaboo collaborates very well “GO!” Sexy low-end ladies have strong winds that will cause you to have the quietest scent around the 33-second mark. This track contains the same style and smooth production in the EP, which completely makes Casey the side of your eyes and ears. To do this, he dated Seattle in San Francisco, Los Angeles, Denver and Seattle in September.
Very happy to be here Go out through monstercat. Listen here.
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Keinemusik & Sevdaliza, “See you again”
The gentlemen of Keinemusik will be linked to the vocal goddess Sevdaliza and made their debut on Saturday night in Coachella’s three-man Saturday night, held in Sahara Tent in Coachella last April. The track gives it time to complex, eagerly expand over four and a half minutes, establishing a warm, deep position and fully marking the smooth evolution of the timeless Vibey Keinemusik track.
“See you again” comes out through keinemusik. Listen here.
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Riva Starr/Hyperloop, Carl Cox and Eliza Rose, “Shake The Nation”
The great quartet forms the Techo Thumper “Shake the Nation”, a peak time created by Italy’s beloved Riva Starr, his Alter-Ego Hyperloop, the living legendary legend Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Car Starr wrote that when he and Rose connected in a studio in East London, the tracks came together to propose “annoying but heavy tracks I’ve tested in Chicago and several other places. The reaction was crazy, but I felt like the song might use something extra, so my good friend Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl Carl
“Fast forward to last week’s Croatian defector, I and I live on the beach stage, live on the premiere, and it stands out.” “One of my favorite things about dance music is the collaborative element, and this song organically blends together.”
“Shake the Nation” is in Factory No. 93. Listen here.
