On Powerful New Track ‘What is justice?’

On July 18, Women launched the latest track “What is Justice?” electronic way. Tougen Anki The track points to their third release in 2025 and its third consecutive anime pairing, revealing the band’s ever-evolving voice. Combining NU steel hostility with severe vocals and reflective scriptures, “What is justice?” studies the principles of justice at night and the fierce earth of anime. Japan Signature has recently had the opportunity to talk to the band about “What is justice?” and its innovative procedures.

On July 18, you launched a brand new track “What is Justice?” This is the finishing theme of TV anime Tougen Anki.

Kanami (guitar): When I check out the comics, the battle scenes make me excited. I was going to reveal the song with the song, so I played a lot of riffs on the track. Among the Second Knowledgeable Man, I played riffs almost throughout the bridge. I don’t believe I actually played such a long impromptu, so it was a more pleasant track for my track. When it comes to tunes, I keep thinking about Saiki vocal singing in Okyuji (online efficiency). I’m asking Saiki to put everything there. I wish the track had a tune that Saiki needed to put all her power into it, which is why the tune in the ode was so difficult.

Saiki (vocals): Yes. The whole ode was high, so I was upset about it at first. I’m similar to “What are you going to do?!” (laughs) However, Kanami discusses her assumptions when she created the track, and I’m a lot like: “Well, I believe the choir that really needed noise speaking at the time,” so I just put anything on the track. It seems like this is the orgasm of everything I actually did.

The drums and bass also start from the track.

Misa (bass): I played a rock structure, except for the ode, but for the ode, I was going to draw on all the high quality of Saky’s vocals, so due to the area, the bass line fits the vocals.

Kanami: When we recorded the video, Misa provided instructions and showed how to play video games like “Sorry, play again! Play again!

Misa: It’s a very basic expression, and it’s exactly the same time and time, but that’s why it’s difficult.

Kanami: This simplicity makes it difficult, but Misa presses it. I believe she is the bassist of this song and has made great progress.

Do you believe that every track will bring new difficulties to everyone?

Kanami: With Misa, she just makes herself strong. (laugh)

Misa: (laughs)

Kanami: I often feel sorry for Akan.

Akane (drum): Actually, I often get all these tough needs on every track. I went to the Banana in our last track, “Prepare for Rocks”, but at this moment the drums became like bass, laying the solid structure with 4 floor beats. Still, the four floors may be really light. I’m really committed to exploring what types of audio production we can use to maintain drum sounds. Again, when we were doing the video, I focused on making it pile up slowly and then exploded throughout the ode. I always avoid the troubles of poetry and use the floor to develop the beat. After that, I slowly began to include the snare drum. I believe this development is instinctive for the target market. I’m also using a lot of hooks to stop it is also basic. There is a lot of little information, and I really hope the target market will certainly capture that.

This brand new track is your third anime partnership this year. Have you developed all this music at the same time?

Kobato (guitar/vocal): We started using this technology because in early 2024, PO.

Saiki: Of the three music we released this year, this is the initial track we completed. We recorded it between tracks on the CD ( An impressive story).

I really don’t know you recorded it exactly at the same time as the CD. How did you create the scriptures?

Kobato: While the anime is related to Momotaro, the protagonist is actually a “Oni” (the troll Momotaro fights against in a standard Japanese fairy tale). The anime-making group requires us to make scriptures from the perspective of the magician on the theme of fate. I view the manga based on the anime, which illustrates a globe that was divided into Onis and Momotaros at birth according to their family tree. This story examines the principle of justice and reveals the situation in Mumbai, which not only needs to eliminate Onis, but their nature must deal with and defeat Onis. It reveals many security, battles and pressures that defend justice. So when I started writing scriptures, these are the concepts I was going to share, po. That’s why we call it “What is justice?” I have this psychological attitude of how you feel when you fight, so initially, I was going to repeat and emphasize “justice.” But afterwards, I intend to refute it, such as “I don’t understand.” I was going to discuss that aspect of the story of my own feelings, which is exactly how I produced these verses, so that quickly introduced you to push it, even though I believe it was a topic of story.

Saiki: I keep in mind Kobato pointed out that she wasn’t stuck trying to think about it, but had the ability to write with more direct techniques.

Kobato: Yes. At the time, the Bengals were the one I might consider, po. (laugh)

Saiki, how does it really feel to sing these scriptures?

Saiki: When we record, I make sure you can also use the vocals to enter the rhythm of the track alone. The hardest component is that the tracks are very skilled, so it took a while to prepare the tape. Often, there will definitely be some audio descriptions, but our routines are limited and the routines do not match, so this is probably the first time we have tape records without audio descriptions. I’m still thinking about our online program, so it’s really a battle with my own constraints.

Cobato: We fought all kinds of battles, PO. (laugh)

Saiki: Many of the components of several songs are individual videos. Similar to us focusing on inspiration.

I’ve seen the video clip “What is justice?” Where is that shot?

Saiki: This is a quarry that has developed into a cave. When we finished the track and heard that we were triggering the video, we made a request: “We need to do this in the cave!” One thing that caught my attention when I watched the anime was improving the scene.

Kobato: The component of personality becomes a tool, po.

Saiki: There are these “flowering” scenes, and we intend to copy them in the video, so we did it using CG.