As celebrities gradually disappear, new abilities have improved. A few days ago, it was revealed that Giorgio Armani was an Italian tailor who had both tested styles and forced her to develop. The information comes the day after 35-year-old developer Soshi Otsuki (Soshi Otsuki) won the LVMH honors under his brand name Soshiotsuki and won the court with 1980s style cuts, thanks to Armani’s motivations.
Otsuki listened to the information the 91-year-old assistant heard when he was providing him with it at noon. “I remember seeing it [Armani] It looked healthy and balanced on Instagram 2 weeks ago, so I was really shocked. “He claimed on the phone in Paris. He acknowledged the coincidence of Armani’s death and rewards and for sure they were unable to satisfy them. Boundaries, this is the type of work I’m eager to develop.”
The Japanese developer was very initially called Armani’s tailor when he stayed at a high school in Chiba, east of Tokyo. “I got a navy blue black label coat with an online public auction site,” he claimed. “I think it’s completely different from my various other coats, with a soft look and rounded shoulders.” Since then, he actually collected his Armani archives and t-shirts, and since the spring of 2025, he has actually started making collections based on them. “I used to assume that hanging is just a dress, but consider the picture [of Armani’s designs] For example, I know that when you put your hands in your pocket, the material is waiting for some means, all of which are sure. “He claimed. “I found a lot from it. “
Founded in 2015, Soshiotsuki is committed to stimulating what Oshima calls “Japanese Customs.” From natural leather judo pants to ninja-style mask coats, his early collection attracted the dynamics of Japanese backgrounds and society. As the brand name evolved, Oki began to re-understand the complex connection between Japanese and Western styles. Rooted in the bubble era of the 1980s, an extraordinary period of financial development that provided significant cost capability to Japanese employees and regarded them as the world’s most prominent high-end customers, while Otsuki’s fit is similar to Suave Suave Suave Sualarymen, a salary that customizes the taste for “Made” made in Italy. At the heart of all this is Armani, a groundbreaking new masculinity that specifies the look of the moment. For Otsuki, this confirms that this is an effective resource for motivation.
Although Otsuki’s styles may be a replica of Armani, they have rich layers that work synergistically between Japanese and Italian societies. Dagua currently has style He believes that the Japanese are “can’t be complicated” in popularity, and his costumes were cute and contradictory during the 1980s Japanese Armani era. For example, his T-shirt is made of robe silk, while his match jacket has a typical Japanese pocket on a honeycomb lining, or a curtain around his belly with a judo belt. Oshima claimed: “Armani is so legendary and unshakable that as a Japanese I could happily imitate it.” “This sentence seems to be a more precise means to explain it.”
In fact, Armani has spoken before about his feelings about the work that influences the younger generation. The last sentence the Italian developer showed to Italian developers after his own spring 2026 plan is style “It seems like a new generation of developers are passionate about my work, and I should claim that it is a satisfaction for me because it shows that I can talk to young creatives who may not have been born in the 90s, either. It also shows that I am actually doing what I do is still what I do.”
What impact does Damu have on this? “I really haven’t experienced Mr. Armani’s early years in the actual period. I either didn’t get born or remembered them, and I think it was this range that made me appreciate him. [for his work] For me, it was practical inspiration,” he claimed. “Speaking with the best modesty, I can really hope that one person at Soshiotsuki can get a global job just as much as Giorgio Armani. There is absolutely nothing that can bring me better joy. “
