Lafayette 148 celebrates its 30th anniversary this year. “We think we’re going to turn around to celebrate the New York women’s 30 years,” Emily Smith said in a speech in the airy Chelsea space. “Obviously, we’ve become more global since then.” She and her team recently went to Morning performance. “It’s really fun to work on this project and to work on roles and role building, so we’re working on the series in the same way,” Smith said.
During the speech, the mannequin comes with a variety of accessories from New York – a metropolis peeking from the pocket of a crispy shirt, a classic “Thank you for a great day” coffee cup, and a smiling plastic bag done in Carmza. Characters are marked with high-quality prototypes that decorate each person’s feet New Yorker– Inspirational font. There is a silk top and matching pleated skirt with illustrations of different iconic Manhattan locations on it, or there is an illustration of a white cotton poplin poplin top, a black skirt and a leopard cotton trenchen (“Print for us for our leopard print for our new New York New York,”). It’s great to see this sense of humor and trait that shows the accompanying record in appearance.
Meanwhile, despite more counterattacks this season, the costumes are typical of Lafayette 148. Rather than its bold texture or fabric treatment, it seems to emphasize lightness, like a pink suit in tropical wool, gently traversing through the light like a cotton poplin (“starchitect” or a soft black crochet dress, the remaining gauze ribbon, the remaining gauze ribbon, the remaining gauze ribbon, the remaining gauze ribbon, the remaining gauze ribbon, the remaining gauze, at the bottom a layered grated fallen footstep, paired with a guest match. Dear’).
