Although graffiti musicians have carefully designated the murals, Kamara attracts people who actually keep appreciating their craft. Musician Chris Daze Ellis began his career in graffiti in the mid-70s and actually collaborated with Jean-Michel Basquiat and Keith Haring to represent the Bronx for the past 48 years. “It is crucial to provide an aesthetic presentation that attracts the rich music and social background of the Bronx,” Ellis claims. His mural efficiency is open to gold microphones, shabby pieces and salsa edges.
Musician Pink Girl represents Queens and Brooklyn by Remembering. Her Queen-specific graffiti art illustrates split flags and multilingual expressions. Her ode to Brooklyn spreads the power of the cellar beat and appreciates the black imagination. As a significant number of hip-hop globes, she demanded one of the most famous cities in Brooklyn songs from the 90s. Musician Robert “Ces” Provenzano stands for Staten Island, which has ferry waves and discoloration of wuta masks in the wind. “I drew power from the original language of the Graffiti Association, trains, trains, city appearances and cityscapes to bring the wall surfaces to life,” the musician said. “Each surface area becomes its own story.” Finally, Pole was a graffiti idol admirer of the 90s, and mature cities swept the city, standing in Manhattan, with jazz riffs, punk labels and high-rise buildings.
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