Hooshmand Aghili died on September 4, 2025 at the age of 88. We are with him, thanks so much for our songs throughout our lives, similar to countless individuals.
Born in Isfahan in 1937, he is a poet and blue floor tiles. As a teenager, he was educated by the excellent Taj Esfahani, and by his early years he was currently on the Isfahan radio dock, and he would certainly quit listening to the noise.
In Tehran, he has actually been researching – graduates – and has actually begun a national stage. When Iran’s state television was launched, he sang with the national band and worked with master writers and professionals, which made his classic verbs bigger and added protection.
If you mature among members of the Persian family around the globe, the track will surely open up a hundred memories: “Farda to Miayee”. It’s a song when the living room becomes the dance floor and the relatives become the choir. Its first notes are well known for their numerous reputations in our region and among our family members.
In addition, he brought various other hobbies – “Cheraghe Khooneh”, “Darya”, “Ghesehgoo” – tunes throughout the sea, pushing it into plastic and tape, and later generations.
In 1977, he moved to the United States and developed a whole new life while retaining Iran. For us – for most of the diaspora’s time, his voice ends up being a bridge between a location: some notes, suddenly, you return to your grandparents’ cooking area, or cruise in the moonlight with Valiasr.
That’s a musician. This is a male. He is the life of the party – telling jokes, saying scriptures, bringing back beauty to bring every field. He is the kindest, sweetest man, constantly providing himself and his own possessions. He is a lively dad who left the institution and showed us how to ride a bike and took us through all sorts of extraordinary experiences – true love for daily work. He lives in us with his oldest son, under his central name, a kind of silent similarity. Our mom, Farideh, never got married in 2007 after her lasting love for him. In some cases, one of the smartest efficiency is his life in the target market.
What did he show to the Persians and to the songs? He shows how classic sensitivity satisfies the feeling of preference without shedding any type of person. He confirmed that a track was both fine-tuned and enthusiastic, rooted and open. Over the years, he provided the Iranians with a national anthem to collect, a track that could transform a lonely night into a memory party. That was his gift: suggestions about where they originated and belonged to each other.
For everyone who shares a wedding event with “Farda to Miayee”, repeat “Cheraghe Khooneh” during the long driving process or “Cheraghe Khooneh” while following “Darya” – Thank you for allowing our dad to stay at your home. We will definitely sing with you.
Full of love and gratitude,
Mae & Mike.
The “Child” that the singer of the Iran Post has remembered first appeared in Asia Pacific News Weekly.
