On the eve of Saudi Arabia’s National Day (September 23), the latest scenic tour of Saudi national band and choir (part of the miracle strategy) living with each other, each living with 100 Saudi artists, each with their own travel and story.
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Versailles mirror with brand new notes
In early September, Versailles formed a weird phase against a long background. This time, the noise of the French Royal Court songs is exactly the same as the brand new rhythmic wall. In a grand passage filled with old Europe, the noise and tools of Saudi bands and choirs nationwide are introduced, the kingdom of the kingdom is currently talking to the world in a completely new language: the language of songs.
It’s more than just a performance. It is a symbolic scene that documentes the importance of an ever-expanding social movement, a makeover in Saudi Arabia that seems to be a tune when it improves the photographs through strings.
More than just setting
The Songs Committee, developed in 2019 in 2019, has never actually become a music performer. Their goal is to better: provide an academic atmosphere for Saudi artists and provide an international system for regional heritage.
The Miracle Tour actually traveled with Paris, New York, London, Sydney, Tokyo and Mexico City. Versailles is not only another turning point in Europe’s earliest royal residence, but it’s also a minute, one minute, a brand new Saudi artist standing happily around the world, providing a picture produced from the inside, but open to the outdoors with confidence and enthusiasm.
The band’s first exit was Paris in 2022, with artwork from Saudi Arabia’s national bands and choirs beginning. Before returning to Riyadh in early 2025, scenic tours expanded to Mexico City, New York, London, Sydney and Tokyo.
Cross-cultural arts
This scenic tour resonates with every society by changing efficiency, creating a bridge between Saudi songs and global target markets. In London, the typical tune “Addayt Fi Marqab” is combined with the Adele classification. In New York City, Frank Sinatra’s eternal flight to the moon is reimagined by the Eastern rhythm. In Tokyo, the target market listens to anime style played in Arabic.
In Versailles efficiency, the band combines Saudi customs and modern songs with individual dances such as Khibaiti, Majroor and Khutwa, and then transforms it into French and operatic vocals. The emphasis is a joint display of the Royal Opera band performed by Egyptian master Hany Farhat, the first Arab to lead a French band. The next day, Saudi leader Reaab Ahmed canceled the baton and became the first Saudi master to lead a band across the country.
Mosaics by over 100 artists
What highlights the task is not only its academic structure, but its diversity in its power structure. Behind the noise compartment of more than 100 artists, there is a unique story.
Some left a completely different career to focus on the song: ADWAA SHANAN is used for professional psychology operations, Ma’an Al-Yamani serves as sales expert Maha Abdullah in clinical solutions, and pianist Ibrahim al-Rashed is a web designer. For them, signing with the choir is a life-changing minute.
Their song preferences vary greatly. The youngest participant, Nawaf al-Jizani, loved symphonic music, which was the influence of his dad, although he admitted to hearing and rap like his generation. The French performance “Les Champs-élysées” was a drink in the county of Versailles. Hataf and Taghreed al-Shahrani chose ancient Arabic music, while Horia leaned towards R&B.
In the backstage, every artist has various psychology and designs, and once the stage, the distinction spreads in typical voices. This breed (obviously paradoxical) gives the band and choir a unique identification: personal preferences blend it directly into a national cumulative sound.
“Our songs have self-esteem and greatness”
There is no easy way for bands and choirs to choose existing Western standards. Instead, they positioned Saudi songs at the heart of Arsenal – in addition to personal practices such as Samri, Majerol and Mizmar Janbavi, idol worshippers such as Mohammed Abdu and Talal Maddah are reconsidering in the modern instrumental program.
Qanun Gamer Yazid al-aidi claims: “Saudi songs have self-esteem and solemnity.” In positioning it in the classic structure, the mission retains this meaning, allowing the world to listen to songs like Saudi songs instead of changing the logo, but expanding its scope to a completely new target market.
Developed from the First Square – but the structure is effective
Saudi treble Reemaz al-Oqbi can make the appearance of satisfaction and reality. Given the difficulties of youth and her understanding of the difficulties of introducing a whole new social period, especially in a changing culture, her difficulties.
“Since I was a kid, I found that songs offered me a variety of perspectives and regarded them as a practical career,” she said. “We built from the First Square in Saudi Arabia, but built a strong structure where artists can maintain self-esteem and a clear future. It’s challenging for women, but thank God, the opportunity for the moment is lower than that for the present.”
“Show is similar to a banquet”
Between the shabby practice lessons and the praise adventure, the memorable minutes stick out.
Hassan al-Mahouzi claimed: “In the last few days before the journey, the best minutes were left, when the choir and the band gathered together and we finally saw the whole image.” For Nawaf Abdulhadi, happiness came when the choir overcame the best sentences. For Wahib al-Salem, the efficiency day itself is similar to the holiday: “The performance is similar to Eid.”
But everyone agrees that the climax will surely come when they bow and listen to praise. As Rose Rose put it: “One of the most amazing minutes is the stage of beautiful environmental friendly” (the shadow of the Saudi flag indicates national satisfaction and cumulative success.
A country that creates stories in songs
At the Versailles exhibition, Saudi social missionary Badr container Abdullah container Farhan said: “Social is a driving pressure on lasting progress, an important engine for financial and social development, and the motivational resource for the development of future generations into better globes, full of discussion, security and success.”
The bands and choirs across Saudi Arabia exist in Versailles, not just efficiency. It is a symbolic statement that Saudi Arabia is creating its social stories with the voices of children and little girls. Each note verifies the visibility of the culture to the future without giving up on its origins.
When more than 100 artists merged it into one voice, the limitations between specific and cumulative, former and existing, regional and international limitations document the meaning of Saudi Arabia’s vision: a story begins internally but speaks on the earth with self-confidence and imagination.
Saudi national bands and choirs
Arabic sign
