In a new review this week, Andrew Russeth covers the meditation work of Léon Spilliaert, the uneasy form of Betty Parsons, Adriana Ramic’s Beetle and Ho Tam’s barber.
Fabric designer Raffaele Fabrizio found a way to dig out the past, both himself and his country, moved into a sprawling Italian villa, and (at least) at least) refused to renovate.
With Diller Scofidio + Renfro, he brings a conceptual sensitivity to cultural landmarks such as the Lincoln Center and brings innovative public places like the Manhattan High Line.
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