Flannery O’Connor’s Artworks Finally See the Light
The Asia Artist Magazine
The star of the exhibition is a painting around 1952, which may reflect O’Connor’s alternative orthodoxy. In the large self-portrait created in the Lupus attack, O’Connor stares at us, the Byzantine Saint’s death pot stares at us, a golden sun hat that swallows her head like a halo. The stroke was flat. More than just expressing more illustrations. She called
Follow Me